Kim Gentes

Seth Parks isn't a person I have met before. But I know something about him. It's likely he enjoys music, but isn't enamored by it. It's likely he is well versed in life's pain and struggle, yet remains satisfied at the place of quiet confidence in Christ. And, oh ya, it's likely he knows how to put the dialog of his journey with Christ down onto paper in the form of good music, and devotional praise. How do I know this? I have been listening to his new worship CD. This new worship project is a diary of sorts telling the beauty and ashes, pains and joys struggle that declares 'Here is Life'.

From pensive steps in easy listening ballads to driving acoustic rock, Seth Parks highlights the journey of life with what real life is made of-- from the mundane to the brilliant! Whether intentional or simply the fruit of his life, everything on this new CD is connected with that premise. His declaration is that if the story of life with Jesus is worth telling at all, it is worth telling in honesty, and expressing through exceptional lyrics and genuinely innovative rhythms and melodies.

The songs found on this CD are superb. Creating continuity across lyric and music, Parks has made songs like 'Be Still' and 'Great And Marvelous' say and sound one message when the music actually follows with ardent purpose the content of the lyrics- very well done! The lyric-writing captures an crispness that can only present in a heart that has actually touched Christ's heart as Seth Parks says 'Jesus, where life in You is my reality' in title track 'Here Is Life' or when he sings these lines from the 'Great And Marvelous' track : 'So let heaven sound with Christ's reward/ And let earth exalt this Champion Lord/ Who triumphs over all His courses run/ Whose glory far outshines the sun/ Sing blessing to this Blessed King/ When, with justice, fear and love He brings/ I will bow and kiss the Son'.

And while the lyrics are well worth the listening, they are equaled by a consist ant strength and depth in both melodic support and musical creativity. In fact, after listening to the first 3 or 4 songs you may be tempted to think that Seth Parks wouldn't have much more new to say, but you would be wrong. This CD finishes as strong as it starts (which is saying a lot, considering the first two songs are so exceptional) with a great medley of 'Crucified' and 'Psalm 113' (a spontaneous song).

If you are looking for content for your local church, this CD has 6 songs I believe are especially strong in this regard (though musical tastes might find you selecting completely different songs at this point). The songs 'Here is Life', 'Be Still', 'Great And Marvelous', 'Strong Tower', 'Crucified' and 'Psalm 113' would all have application. All the songs on this CD are worthy of listening, but to get a good taste of the songs, be sure to go online and listen to the track samples and judge for yourself.

Because of the tremendous giftedness expressed in these songs, the wonderful music accompanying them, and the foresight to provide the church with the printed chord charts on the enhanced CD portion of this new project, I am happy to award 'Here Is Life' with the Editor's Choice Award.

Product Link Here Is Life - Seth Parks

Blessings,
Kim Gentes

p.s. a complete chord songbook for this album is INCLUDED on this CD!! Yes, this is an enhanced CD. Almost unheard of for an independent release, Seth Parks obviously cares about resourcing the church. Very rarely will independent projects include songbooks, but never do they actually include that content right on the CD! Kudos to Seth for having the foresight and putting in the work to see these songs are available for the Body of Christ to use in worship. So don't worry about buying something separate to get the chord charts for these great songs, just buy it here.

The Canadian cultural motif is the mosaic, a concept that highlights combining differences into a collage of united strengths, much like a patchwork quilt. If you wanted a musical mosaic of the heritage and anointing that has been the Canadian legacy to the worldwide Christian church, you could go straight to the latest project from Vineyard Music Canada -- 'All I Need'. Actually, this is the third project from the northern nation, which deliberately looks for a diverse musical pallet. But where previous efforts ('Shake Off the Dust' and 'Believe') left off, 'All I Need' continues on, and takes up its place as a great worship project.

Let's get right into it. As the CD starts, the gentle swell of rhythm from a shaker, djembe, congas, bongos and darabuka fill up the air. Softly touched piano chords enter and a lone voice calls out with these beckoning lyrics: Who is moving on the waters? Who is holding up the moon? Who is peeling back the darkness With the burning light of noon? The questions are answered by the refrain, 'He is Yahweh'. Combining vocals in English, Zulu, and Lingala with great arranging and genuine passion this opening song will move you into solid assurance of God's sovereignty, through the scripture-woven chorus. After listening to this barrage of blissful truth, one can hardly go away without a powerful sense of our Creator God. What many preachers attempt to convey in a well-spoken sermon, worship leader/songwriter Dean Salyn does in 5 minutes of praise. This is great lyric writing, and producers Brian Doerksen, Daphne Rademaker, and Philip Janz take full advantage of this incredible song by placing it on the first track of this great CD.

Thankfully, the worshiper is clear that this is no ordinary cookie-cutter CD as the tracks roll on. But instead of being 'different' for 'difference' sake, the songs used on 'All I Need' are truly useable, accessible songs meant for the nations. The second song, 'Amen Hallelujah', uses country music to bring the 136th Psalm to life. And while I won't take the time to talk in depth about this and track 3, 'Be My Guide', both deserve their spot on this project with continued diversity and strong musical and lyrical contributions.

Arriving at 'Into Your Presence', written and sung by Kim McMechan, you will be arrested. With McMechan's incredible vocals, you may be tempted to consider this a 'performance' song, but continued listening will draw you into the very singable and melodic chorus. Such is the journey of this entire album. When the title track starts up, you will need to find a chair or simply kneel down in worship.

'All I Need' carries the cry of longing people to the ears of a ready and listening God. First person, and in the manner of David's Psalms, this song is clearly from the Vineyard tradition (can we call 20 years 'tradition'?) of great songs like 'Come And Fill Me Up', 'Draw Me Close' and 'I Want To Know You'. With this and most tracks on this project, Doerksen's mastery of spatial distribution in music gives us crisp, fresh sounds that evoke but don't attack. Frankly, it would take several pages to describe the texture, diversity and excellence that has been put into each of these songs. From the passionate 'Long To Know You', the bluesy 'You're So Wonderful', the anthemic 'The Lighthouse', to the radio playable 'Desire Of The Nations'. My passing over these so quickly is in deference to brevity- I strongly encourage you to sit yourself down and soak these incredible songs into your heart and soul.

What are left are 4 spectacular songs. First, there is 'Dance On It', a dance song that implements an unbelievable collection of sounds and instruments from mandolin and electric guitar to techno, drum loops and electronica. A great rhythmic collage that actually works for explosive, vibrant worship!

Second comes Psalm 113, which is a simple, yet stunning scripture song. There is something wonderful about singing Scripture. Soaking you in God's Word, encouraging each other with His wisdom, and releasing an unquestionable song from our heart to His. Reminiscent of the song 'Blessed Be The Name of The Lord' (Daniels/Prosch), Psalm 113 is presented through a wonderful spectrum of tempo and tenderness- making it accessible to every worshiper, small group, and large congregation on the planet.

Then comes the haunting rhetorical question 'Could I'. With just Kim McMechan and a piano, this worship leader questions and answers how waiting on God is the only place of rest and strength.

The final new song is what may be the most usable song on the album, 'Multiply Your Love'. Veteran songwriter Andy Park pens a call for God to multiply His love, expand the kingdom and grow His church. Every church should sing this song. Even better, ever church should open their hearts to living this song out, through God's love. This is truly an anthem that we, the consumer-centric church of North America, need to get deep into our souls.

The project is concluded with all the various worship leaders on this project combining to sing out a reprise of the title track, 'All I Need'. This album is a spectacular collage of songs, styles, worship leaders and production. Even better, this CD includes a CD-ROM component that has song stories, producer notes, and (thank you VERY much) chord charts and lyric masters!

In my mind, this is one of the best Vineyard project since Winds of Worship 12 (Come, Now Is The Time To Worship) and Hungry. While it doesn't need accolades to get noticed, I would be crazy to not give the Editor's Choice Award to this great project. 'All I Need' will stand out for its great songs, and great worship, for many years to come! If you have one CD in the budget for this entire year- this is the CD! And be sure to let your local church/music leader hear it too- you'll be singing these songs on Sunday morning very soon!

Product Link All I Need

Review by Kim Gentes

Note: This project was awarded 2001 Album of the Year from WorshipMusic.com.

Recently, I was thinking extensively about liturgy, and the concept of 'call to worship' songs. It was in the context of this thinking that I clicked the 'play' button on my portable CD player and let spin the new Vertical Music title 'Much' by the band Ten Shekel Shirt.

The first song, 'Meet With Me' knocked me out! Strictly speaking, this is what you would label a 'call to worship' song, as I mentioned above. But labeling it as such would be akin to calling the Titanic just a boat. The beauty of Lamont Heibert's voice is like a wind whistling in the desert- dry, clean and hunting for waters of life. As the intro layers his voice with acoustic guitar, Heibert leads me from listener to participant in about one stanza. No sooner am I riveted into the prayerful verse, then the chorus erupts with:

As I wait, you make me strong
As I long, you draw me to your arms
As I stand and sing your praise
You come; you come and fill this place.

The arrangement here is absolutely perfect, with an artful use of dynamics. This song is a keeper, and the most useable tune for congregations off of this album.

Moving on to the second track, we find 'Ocean', a song that you have already heard steadily on the Christian radio channels, and in the charts for Christian radio singles.

I have heard a few people trying to equate this group (Ten Shekel Shirt) with other pop or Christian bands. Frankly, that is too bad. While they have some sounds that reminisce with a torrid of other pop/acoustic/worship bands, this group has their own sound and, more importantly, their own call from God. Sent out through YWAM to bring the gospel to the campus of Yale University, they have used music to speak the message of Jesus to students hungry for a real God. 'Ocean' reflects the meditative timbre of their message, where a very present God is both near us, and surrounding us, in His closeness and vastness.

As we move to 'Sweet Embrace', we find another wonderful song of praise that is easily useable with a worship team/band. This is just one of those infectious songs that grows on you more and more as you listen. Speaking straight to God, this song will work its way into contemporary services and youth services everywhere. The fourth track leans back tempo-wise and, like Ocean, reflects on how we can feel empty and tired when we take our focus off of God's love. But it leads from there to the solution- 'so I fall on my knees...'

The next track, 'Unashamed Love' settles into the prayerful surrender that this album returns to often. On this album, musically, you will hear acoustic guitar, electric, some rock organ, and well-placed violin/strings, along with the standard rock rhythm section.

As the tracks roll on, through the title track 'Much', to 'Come Away' and ending at 'Great', the diversity of this CD is echoed in lyrics and arrangement. From powerful and driven (Come Away) to soft surrender (Great), this project shines among a sea of sameness in the 'worship' music genre of albums.

This CD was a slam-dunk selection for the Editor's Choice Award, and it should be a slam-dunk for anyone who hears this band. Proof of this was crystal clear around our offices at WorshipMusic.com, when complimentary copies of the sampler CD were vanishing, and the CD could be heard on just about everybody's CD-ROM player in the complex. This is the only CD that I remember our entire staff hounding me to review. And why not; they were right- this CD rocks! Worship God!

Product Link Much - Ten Shekel Shirt

Review by Kim Gentes

Praise Adonai! What a way to start this incredible album. I love the journey that this new project, from Integrity Music, takes. One of the unique things about this album is that it is the first album in a very long time (perhaps since 'Father's House' from Brian Doerksen) that seriously considers the listener in the song sequence, laying out a well developed progression of intimacy, drawing us into the courts of praise and worship of our God. But this opening cut is far too overwhelming to worry about the rest of the album... so, let's 'Praise Adonai!'

The writing talents of Paul Baloche come to us in the ebb and flow of the country/rock instrumentation that is this well crafted call to worship in 'Praise Adonai'. Inquiring of us with the rhetorical phrase 'who is like Him', we see Jesus as:

The Lion and the Lamb
Seated on the throne
Mountains bow down
Every ocean roars
To the Lord of Hosts

Like the Psalms and Proverbs, Baloche proclaims the unchangeable paradox of God's character (the Lion and the Lamb), pushing us into the view from the heavens. Then, as he surveys the kingdom from this view (Seated on the throne), we see such power, in profound simplicity of word, that our hearts and voices launch unstoppably into the chorus, 'Praise Adonai'. Giving away any more of the lyrics would simply script the entire song for you, since it is as terse as it is powerful. The unfortunate thing about this song is that it has such appeal it threatens to keep many a CD player on long term loop, keeping the listener away from the other gems of this well produced studio project.

Moving on to the second and third songs, Paul Baloche teams up with Ed Kerr to pen some upbeat songs of great praise expression. These songs connect musically and lyrically. The lyrical connection is made in that both songs detail a modern day chorus for Psalm 47, in which we see God ascending amidst the shouts of people and sounds of music.

And if God is indeed enthroned in our praises, then the delight of His presence being made manifest in our times of celebration are made all the more evident through 'I Love To Be In Your Presence', and 'Sing Out'. Both these are earlier works for Baloche, and they get a well deserved update in production with these tracks.

Though this project is a tribute of sorts to Baloche's prolific songwriting, it could have just as easily been a thematic album, showing how an extended worship and praise time can be woven into a thoughtful trek of devotion and exaltation to our God.

Entering into 'Falling', 80's fans will recognize a page from the softer musical side of the sound of 'the Police'. Another collaboration, this song is co-written with UK writer Brenton Brown, whose contributions have been on such noted albums as Vineyard's 'Winds of Worship 12- Live from London' and 'Hungry'. My guess is that 'Falling' was something of an experiment, but instead of flopping into dead CD space, this song 'Falls' effortlessly into the ears of God, as genuine adoration expressed in love ballad style. Very nice! When we come to the song 'Above All', the theme is pure adoration, where simple arrangements replace guitars and drums with piano sounds and string backgrounds. It is simple, and powerful.

The trek of well-worn songs hits full stride with 'Revival Fire Fall'. The CD cover copy says this is 'funky, folksy', but I call it just intense! Not since the searing fiddle backdrops in 'Praise Adonai' has our tour taken us to such powerful undertones (and oh, btw, just thinking about 'Praise Adonai' again, should be enough to make you turn back to it for another listen). The contrast, however, is that while 'Praise Adonai' creates its energy through subtlety and understatement, 'Revival Fire Fall' simply pummels you with burning desire to participate in seeing God's revival fire fall!

I am sure you are wondering why I don't discuss the title track of this project, but it hardly seemed like much more could be said about Open The Eyes of My Heart, that the church at large has not already said. With the worldwide acceptance of that song, you hardly need the 3 cuts of it on the CD, though you certainly won't find it unlikable.

There is much more to this CD, but without ranting on each of the considerably exceptional songs on this project, I want to get right to my favorite song of this great collection- 'Celebrate the Lord of Love'! Like 'Praise Adonai', this song builds its arrangements using superb dynamics to propel you into abandon. By the time this song is vamping into the key change, you are lifting up your praise with outstretched arms and dancing around your kitchen, I guarantee it! Don't miss this song, or you will miss my #1 reason for playing this CD for hours on end in my CD ROM drive.

There will definitely be something everyone will like about this CD, but I guarantee you that a listen through the whole thing will be time in heavenly praise. The songs, the production, and the track sequence make this an easy selection for my Editor's Choice Award.

Product Link Open The Eyes Of My Heart - Paul Baloche

Enjoy! Kim Gentes

Crisp, clear and radiant--these are the inviting rhythms of Roger Hodges' best worship project to date, 'Big Big God'. Are you thinking of what it would sound like to have pristine sound production, knitted with completely rapturous melodies, all held together with incredible grit through honest vocals? Stop thinking, start worshiping--with 'Big Big God'!

Anyone who may have had the opportunity to worship in a meeting with Roger Hodges knows his approach is a one-way rocket to the courts of God. I have to confess something--I used to be of the opinion that truly great albums and songs would 'float' to the top, get picked up by the majors (labels), and make it to the masses. After the last two-and-a-half years of listening to stacks and stacks of praise & worship CDs, this just isn't reality anymore.

The rise of the 'indie' (independent) praise and worship projects has become a legitimate source of TOP quality resource and expression in that genre's music market. Sure there is a lot of 'fluff' put out by indies, but the truly great stuff is not only competing with the big labels, they are setting the pace in creative and passionate musical prayers and devotion. After indie projects like Langley Vineyard's 'the Well', Rita Springer's 'Created To Worship', and WaterDeep's 'Enter The Worship Circle', the water is gathering for this emerging stream of praise to become a torrent of the river of God.

And now you can add to that flow of God's praise, the rhythmic current of 'Big Big God'!

This CD belongs in that category of top notch projects. 'Big Big God' begins its spin in your CD-ROM with 'You Are,' a power-ballad that throws out the rules and rushes straight to God, speaking passionately to the Father. You will fall to your feet in surrender to Him, as you sing out:

And You are the air I breathe
And You are the song I sing
And You are redeeming love
I trust in You alone

You will be tempted to lock on to this first song and let the [repeat] function hold you here for hours! But that, my friend, would be a big, big mistake. The six minutes this track plays for will seem far too short to anyone who finds themselves on the floor, pouring out the heart to the Father.

Moving on to the next song, Roger calls us to 'rise up' in the military/march-girded rhythms of Psalm 33. I really enjoyed this song, as the music and Hodges' voice invites us to stand in the light of God.

But the journey has just begun, and as the light, crisp strum of the acoustic guitar begins to swell into the title track song, you are swept back into a personal conversation with God. Thankfulness expressed across the breadth of God's character is a constant staple to this great album, which is a well balanced feast of lyrical devotion. Of course, there is a reason 'Big Big God' is the title track to this project--the song is as infectious as it is thoughtful. But if you thought this was just another well-scripted, studio produced session of nice songs. well, by this third song you have begun to realize this is much more. In 'Big Big God', Hodges begins his adding of joyful, creative and honest worship and praise 'spontaneous' moments. And apparently, once he gets started, he can't hold it back.

Throughout the rest of the album, Hodges makes no apologies for his obvious attack of enjoyment that lifts this album into a real praise and worship experience. The joy keeps on going in the boisterous 'You Are Faithful', where this rocket launches into some very nice musical placements by electric guitar power-man Lincoln Brewster.

You can't put much better talent on an album, and those haven't already heard Brewster's work on his self-titled debut (from Integrity Music's youth worship label Vertical Music) will be very pleasantly surprised. After a brief settling back, with Kevin Prosch-esque 'The Son Is Rising', the trip continues with 'The Lamb has Overcome'. This has the same straight-ahead lyrical and progression stylings as 'You Are', but this time points us to the returning of Jesus.

Just when you think you have things all figured out, 'All that I Want' is slight step off the trail, but most welcomed. This song provides good style contrast, and again with deeply heartfelt lyrics sung with actual passion (wow! Imagine that!). By this time you are pretty convinced that Roger Hodges is the real item--an actual worshiper who recorded what he actually would do in a live worship service setting.

This time comes to an intimate juncture with just voice and acoustic guitar (and a touch of oboe or synth patch) laying out the song 'You've Captured My Heart'. This intimate worship ballad is perfect, no other words for it. On the final cut, every instrument is pulled back except piano. Then, Hodges just lets it all come out- passionate prayer, covenant commitment, and loving thankfulness, with a beautiful backdrop of sensitive piano playing.

Quite obviously, this project earns our highest commendation here at WorshipMusic.com, the Editor's Choice Award. I actually struggled to find something wrong with this CD, listening to it for 5 continuous hours (a record for me with any CD). Maybe it was because the musicianship was impeccable. Maybe because the vocals are just everything you ever wanted to say to the Lord. Or, maybe it's because you can't help but get caught up in the praise and worship with this album--I am not sure of the reason, but this project is flat out excellent. Praise God!

Product Link Big Big God - Roger Hodges

Review by Kim Gentes