Music Reviews (by Kim Gentes)
Back in the mid-90's Kim began writing impromptu reviews of church music CDs (worship music) so that people who were looking for CDs would have an opinion from someone who is also a worship leader and is garnering music for local church use. Up to this point, this was rarely something that was done, because church music was revered as sacred and it was thought that any offering of that sacred worship shouldn't be criticised or evaluated. In fact, Kim wasn't as much a critic as he was an evaluator, helping people find what fit their church. He began posting his reviews on line in a email discussion forum, called the Worship List (website). After a while, when he helped launch Worshipmusic.com, he continued that same concept of trying to help other local church worship leaders and musicians find music that might be applicable to their situations. The reviews continued to be a part of that. Worshipmusic.com went on to grow a staff of writers that would add many more reviews to the collection they have, but Kim continued to participate as a key reviewer. This journal logs all the reviews Kim has written on worship music CDs and projects.
Kim's reviews of CD projects of worship music includes independents, label and main stream recordings, but all having to do with worship music.
Entries in mp3 (7)
Folks Like Us - Club Vineyard 73 (2011)
Track one is Folks Like Us, an unashamed return to the countryfied rock sound. Since I had just listened to some old projects, I actually thought it hit almost dead on with the sound of the 1999 Vineyard project, The Burn Service. It’d be hard to sound more like Bruce Springsteen or John Mellencamp, unless you got them to sing lead. Great, Americana rock. Lyrics are well-matched with earthy nouns, that paradoxically soar in declaration of God’s greatness towards us, and our need for Him, as His children. Very well done.
Track two and three moves on to the pop in this project. Absolutely a perfect blend of adoration and glorification in the lyrical mixture of the song Furious. Production is clearly meant to match Jeremy Riddle’s pop-ready vocals with Furious (track 3) and The Lord Is My Shepherd (track 4) making the entire album soar with radio-ready listening. These two tracks are spectacular, though track 4 remains arranged out of bounds for most congregations. The songs are truly excellent, though, so don’t miss these. Passionate, singable (in simple form) and engaging. Plus, there is some excellent scripture and theology writing here, especially in The Lord Is My Shepherd, which is a beautiful new rendition of Psalm 23.
The next two tracks, Form Us and Worthy, are songs co-written by Casey Corum and Anabeth Morgan. This is where the flood comes in. These are studio track recordings that are core renditions for easy learning and reproduction in local churches. While there is nothing fancy on the production of these songs, there is nothing lacking here either. Form Us is a pensive, prayerful, surrender song that beautifully calls on God while agreeing with His will, much in the same way that Jesus taught us to pray in Matthew 6 (Your will be done). Worthy is old fashion rock sounds on one of the core messages of the Book of Revelation- “Worthy are You, Lord”. In a building verse/bridge/chorus sequence this song builds into a powerful exaltation of the worthy Lord.
With track 6 comes my favorite new song of this new album- One Thing Remains. Written by songwriters at Bethel Church, this version is a live recording of the song from a recent Vineyard conference. The production is stripped back to a true live arrangement that works for the conference, local churches and the recording. Building on what is a great musical song, Casey Corum lifts the vocals and energy of the song to a powerful anthem. While this isn't my favorite arrangement of this song, it feels the most accessible for local church use.
After another song by Jeremy Riddle on track six (taken from the Bethel Music “Be Lifted High” album), the next four tracks are from a series of live recordings from the Cultivation Generation conference/event. Pounding anthem, surrender songs that lift up God’s glory, I Am Yours and Your Mercy are clean, straightforward rock, with lots of energy and passion. Again, lyrics and melody are strong.
The album concludes with two songs from David Linhart, a very gifted musician and lyricist. While not a typical “worship” style you might expect, David’s songs are beautiful stories of love, hope and God’s character. I love this mix of grace in a recording collection like this. Linhart’s surprising two-step collage on Straight From the Source has a soothing effect that still has the truth ringing around in my head that “we have true hope straight from the source”. Linhart’s reggae background bubbles to the surface, helped by a story-talking blues style with the final cut God Don’t Never Change. Most folks won’t be playing these last two songs in church, but there is a quality of grace on the songs that encourages the soul. Thank you Vineyard!
The entire album, songs, audio and chord charts are already available for subscribers of the WorshipTeam.com worship planning system.
The Lord Is My Shepherd / Jeremy Riddle - single /Review by Kim Gentes (2011)
As I have mentioned before, when we do reviews it is normally only for full album projects, not singles. But we must make exception where it is due. And with this new song by Jeremy Riddle, trust me friends- it is due.
The song "The Lord Is My Shepherd" is a new single just releasing from Vineyard Music. I discovered this new song at WorshipTeam.com (which adds all the new music from Vineyard and most other worship publishers as they release). If you aren't a WorshipTeam.com member, you can find the song on Vineyard's site at Vineyard Resources. Let's talk about this new song.
The song is obviously a lyrical reference to Psalm 23, and the chorus relies on this image of God providing for us and bringing us to safe waters to satisfy our souls. The chorus, using this sharpened theme from David's psalm, is melodic, infectious and even rhythmic. Lyrical purists will note the 3rd to 1st person voice change that happens throughout the chorus, though it remains thoroughly first person for the rest of the the song. This is normally a faux pas for songwriting, but it works in a unique way here to reference the classic rendering of the scripture ("The Lord is my Shepherd") giving it an anchor to our tradition, and as an implied voice to call others to notice the provision of God.
The Lord is my Shepherd and I'll want for nothing
You lead me to water for You know I'm thirsting
And I I'm only satisfied
By You by You
Riddle's songwriting here is marvelously in stride with the tension of reality- that we live in the knowledge of God's provision and the need for it to satisfy the very human thirst of our souls.
The music and the lyrics are punctual and poignant, capturing the essence of what it means to both need God in the "pain in my life" and to declared to Him that "You are there". But ultimately, the song returns to rest in God not only providing the provision, but being the provision, as Riddle sings "You are the water for my soul".
I will say it clearly- this is Jeremy Riddle's best song. It is blissful, articulate writing, and wonderful soaring music. Not contrived, the song lives in itself and doesn't try to solve anything beyond the scope of its theme. Perfect.
Likewise, the arrangement and execution by Jeremy is dead on. The music doesn't climb off of the song and overcome it. Some of the previous tracks on Riddle's other albums became so enamored with Jeremy's souring vocals they would run roughshod over songs which had no right being "wall of sound" anthems. That does not happen here. His voice is first and it stays out front. He climbs to some extremely high notes and sings like he means it. This is Vineyard's best radio ready single- ever. If this doesn't climb past the radio popularity of Sweetly Broken, I will be surprised.
That said, I have one problem with the song- it is a great radio single. The notes of his excalamatory aria, especially on the second and third choruses, are brilliant but absolutely remove the song (in this form) from possible congregational use. This single is in the right key for congregational singing (G), but when Riddle explodes into his falsceto, he leaves all hope for this arrangement being used in local churches. Vineyard will need to produce a crisp arrangement for local churches to use this song, perhaps removing the extensive "by You, by You" throw offs that make this a great listening radio single.
Worship leaders, worshipers and musicians- check out this new song. It is excellent!
Available at WorshipTeam.com (for subscribers).
Also available for purchase at Vineyard Resources
The Lord is my shepherd! Yes, Lord!
In Him,
Kim Gentes