Kim Gentes

There are moments in worship that mean as much as the songs that accompany those moments. They are the times of encounter, surrender, offering and praise in which something of our most humble offerings meet with the very presence of the awesome God to whom we are surrendering. After 30 years of "modern worship" (however loosely one might define it and move that time marker), some of the best recordings are not marked just by great songs, but by the moments captured in that embrace of emotion, theology, and art. When I think of great "moments" that are captured on a recording, some of the spontaneous moments that come to mind are the song Exalt the Lord with Daphne Rademaker/Brian Doerksen (track 15 on Winds of Worship #2 /1994), Days of Elijah with Robin Mark (track 11 on Revival in Belfast/1999), the opening prayer and spontaneous song Great is the Lord with Kevin Prosch (tracks 1 and 5 on Even So Come/1991) and the song Spirit of the Sovereign Lord with Andy Park (track 13 on Worship Festival Live/1992) and even the recent song In Jesus' Name with Darlene Zschech (track 4 on Revealing Jesus/2013). Each of those moments contained not just the excellence of music and song, but something of a poignant encounter.

It is this kind of thing that comes to mind when listening to the new album "Jesus Culture with Martin Smith: Live from New York". This recording is as much about great moments as it is about great music or gifted artists/leaders. Veteran artist, songwriter and worship leader Martin Smith takes the front seat (leading 7 of the 16 tracks) in this worship experience vibrantly paired with the energy and passion of musicians and leaders of Jesus Culture- Kim Walker-Smith and Chris Quilala (with a single track featuring Derek Johnson).

The album kicks off with Martin Smith leading his new song Fire Never Sleeps, a classic Delirious/U2-sounding rock tune that ambles along through its punctuated rhythms of the verse into melodic long notes in a glorious chorus that rings out:

Burn, oh my soul, set me on fire
Burn, oh my soul, light up the fire
Burn, oh my soul 

Smith, in his writing, vocal passions and lyrical throw-offs, presses the heart of the message, inviting the gathering of thousands of young people to set their hearts and passions on fire with passion for God. A great song with lots of energy reflecting the lyrics.  Track two is driving rock song, this time written and led by Chris Quilala, called Forever. Building through several repetitions of declaration ("forever, I am Yours") and surrender ("All that I have is Yours") the song launches into guitar solos and choruses, until it completes, leading into the somber intro of Pursuit, the third track on this album. This song, written by Daniel Bashta, is led by Kim Walker-Smith, whose clear voice and passion is paired with Martin Smith in a duo unlike many others I've heard on a worship album. This song is a bright gem on this recording, as the two leaders defer to each other throughout the sections of the song, alternatively leading and backing each other up. Beautiful, powerful and anthemic- a model for the kind of cooperative leadership of the church of Jesus in which our voices blend in harmony with one another to produce a gift that can be more than the sum of its parts. One gets the sense that the Holy Spirit was leading this song as much as Walker and Smith, as during the ebb of the song you can hear the congregation refraining over top of the slow rolling of chords in the interlude.

Kim Walker-Smith leads out on track four, the song Walk With Me, a song written by members of the band One Sonic Society (Garrard, Ingram, Mabury, Thatcher).  This song is perfect for Walker-Smith, who presents the prayerful verses as plaintiffly (I have to make up words sometimes) as she does the surrendering chorus and the pounding bridge.  As the song goes into an interlude around 5:10 of the song, we encounter one of those moments of grace in which the lyrics are as much prayer as they are "ab libs". Beautiful. This continues through this extended song, whose 8 and a half minutes seem to go by quickly for the engaged worshiper.

Martin Smith returns to lead track five, Waiting Here For You, a perfectly titled and needed song for our "on-demand" culture. The music, tempo and arrangement of this song is rightly pulled back to starting off as a simple piano ballad. Kim Walker-Smith joins back in, complimenting Smith's soft voice. Their vocal textures combine nicely, and eventually bring the song to a percolating flow, as electric guitar riffs drive the song into a stadium anthem, with the thousands year old refrain of "Alleluia" repeated in glory and resonance amidst the 14000 worshipers to the grand audience of One. The worshipers keep the refrain going a cappella until Martin Smith returns by singing the chorus in Spanish, vividly presenting an audible metaphor for the scriptural truth that we will one day sing together from "every nation, tribe, people and language, standing before the throne and before the Lamb." (Rev 7:9)  This transitions seamlessly into Martin Smith's song Our God Reigns, another track that ebbs and flows with ease through music and refrains without sounding tired. Martin Smith's spoken encouragements are well placed, well-received and cause explosive worship among the worshipers. Again, the track leads through ebb and flow, somber and joyful times, even including an extended time of waiting at the end of track 7 (another Smith tune Song of Solomon).

Each track on this project has a unique footprint. Poignant moments appear from congregational voices echoing over the music to long notes of guitar solos and other times of pounding drums and anthemic declarations. I could go through the entire song list and explain great moments, but it is best for you to simply get this project and set it in your playlist. The two hours of music on this double CD live recording is a wonderful journey to join in with!

Some tracks to look for new songs that you may not be aware of are track 7- Set A Fire, track 8- Alleluia, track 12- Holy Spirit, and track 16 - Did Your Feel The Mountains Tremble. You may well have heard these songs before, but if you haven't I strongly encourage you to take a listen to these. Excellent songs and vibrant versions of each of them, showing how they can be done live with great effect.

If you are a worshiper, enjoy rock style music, and love "live" worship, this recording may well become one of your favorite in recent memory. Filled with great anthems and alive with engaging moments, it is well worth buying the entire album to experience the entire journey this album takes.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio from this album are already available and pre-loaded for you in the WorshipTeam.com system song database. In fact, to the best of our knowledge WorshipTeam.com is currently the only place yet to have any charts from this album! If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Amazon Link: http://amzn.to/140onC3

Review by Kim Gentes

In the last month, I have been listening to the newest album from Gateway Worship called "Great Great God". Listening, yes- and loving it! In it's short history, Gateway church in Southlake, Texas has been the seedbed to some great new songs, leaders and songwriters. With worship leaders/songwriters like Thomas Miller, Walker Beach, and Kari Jobe (among others), both the recordings and the songs coming out of Gateway have been top notch music and vibrant songwriting. This latest album, Great Great God, is no exception to that trend.

The album kicks off with the rhythmic and anthemic "Every Day I Live", led by Thomas Miller. Declaring that: 

Every moment, for Your glory, every breath I give You praise

All my days I'm living in Your grace

Every heartbeat wants to know You, now I live to make You known

I wanna show the world You are the God who saved my soul

Miller leads this live album off with a congregational energy and joy that enthusiastic, but stays authentic and in the tradition of declarative praise of commitment to the Lord. Great stuff!

The second track is "Sun & Sheild" and brings the congregation to a further exalting of God's attributes as our "sun and shield", allowing us to put our trust in the God who is our strength in times of need. I like the lyrics and focus of this song, which pinpoints our weakness as the moment and place in which we need to turn our hopes and trust over to God. Very well crafted.

The third song is a brilliant rendition of the classic "Holy Holy Holy" (Dykes and Heber), but with a wonderful refrain which is perfectly written to compliment this timeless song of theological depth. The added section (written by Walker Beach) pays a resounding tribute to the content already present in the song- speaking of God's Lordship, kingship and eternal nature.  After hearing dozens of remakes of various hymns by Tomlin and others, this remake of this georgeous hymn actually surprised me! In my opinion, this is literally the best "modern worship" revision of any classic hymn in the last 15 years. It is easily my favorite song on the album. 

Kari Jobe takes the lead vocals on the next track, drawing the pensive and beautiful tones of her voice into a peaceful ballad that flows with just piano and gentle strings as compliment. No drums, no guitars- just a simple and inviting call of devotion that leaves every worshiper calling out to God- "You're my everything". 

The album continues with three more tracks that reverberate with strong declarations of God's goodness and greatness. The final song highlights this as the title track "Great Great God", declaring "there is no one like our God".

Gateway Worship's "Great Great God" is lives up to its namesake title of being another great contribution of songs from the writers and leaders at Gateway. Though this is more an EP length contribution that past albums (7 original songs), it is well worth your attention, especially if you are a worship leader looking for great songs for Sunday morning.  I can't reiterate it enough- the third track on this project is really the best hymn remake in the last 15 years. Take a look at this project, if even just for that song, and it will be well worth your time.

For churches using WorshipTeam.com, all the songs, chord charts and audio are already available and pre-loaded for you in the WorshipTeam.com system song database.

If you want to listen to audio samples or purchase the album directly yourself, see the Amazon link below. A great new album!

Amazon Link: http://amzn.to/yS3HCa

Review by Kim Gentes

[Don't miss the free download of the song "Holy Spirit Come" at the bottom of this review! Many thanks to Vineyard Music for providing this!]

The last two years have seen a beginning resurgence of stylistic creativity in the "worship music" genre. After 15 years of acoustic guitar based music in light pop/easy listening arrangements, we are beginning to see broadening pallet of music taste, styles and even languages bubbling up in the modern church music offerings.

One of the absolute best albums I have heard in the last couple years is the worship offering called "Miami Vineyard Live". The namesake church featured in this album provided a group of several worship leaders, musicians and songwriters that created a stellar sonic experience while remaining completely worshipful and well-fit within their local church context.  Producer Mike O'Brien architects a gracious balance between flourishing artistic style and church-usable arrangements. Finding this balance is no small feat since the album features several worship leaders, and at least 4 different music stylistic ranges. It may seem inconceivable for a single project done in a "live night of worship" format to include songs that are clearly rendered in Latin, black gospel, island and funk stylings- but that is the task that the production team for "Miami Vineyard Live" took on.  And they succeed with flying colors.

If merely creating a seamless collage of musical styles wasn't enough, "Miami Vineyard Live" also features a truly bilingual lyrical approach. With lyrics written and sang in both English and Spanish, this album becomes a motif for the many thousands of churches who are reaching out to bilingual communities across America and the world. Again, the album is the real thing- keeping songs sung in two languages authentic, engaging and poignant.

The project begins with the upbeat effervescence of "Holy Spirit Come", a brilliant bi-lingual song inviting Spirit of God to visit the church. It's engaging, uplifting and encouraging to be a part of the larger body of Christ, and this song has both the lyrical and language written to best draw the worshiper to a point of collective worship to God. A great call to worship song! The second song is "Gloria A Dios Solo" (with My Whole Heart) and features a continuation of the call to worship theme, but this time having a directive praise invitation calling everyone "with my whole heart I give you all my praise".  Both of these songs feature a wonderful weaving of English and Spanish without sounding like a trite acquiescence to inclusion- no, instead this is a thoughtful and honest group of English and Spanish speaking people who have crafted music that ebbs and flows through both languages.  Beautiful!

The third track is a re-envisioned version of Vineyard classic song "Lord Reign in Me", but redone in energetic Latin rhythms and sounds, with some rock overtures. It's a fresh and encouraging revision, which again sways between English and Spanish. I love it! And the track list continues with this same fresh approach. Track five is cry and response gospel song with all the energy of a full on hip swaying, hand clapping celebration. Fused with more rock overtures, "At All Times" is another song that will charge you up as you sing "I'm gonna bless the Lord!"

The mellow sounds of island music become the enlivened style of the Vineyard classic song "If You Say Go". But no sooner have you settled down into island subtle rhythms and you are back on your feet shuffling with the song "Everything to Me" and "Your Name Is Great".  Pensive love ballads, rousing gospel call/response songs, and renewed versions of classics "Breathe" and "How Great Is Our God" all find their way in this album, not as obtuse appendages of music experimentation, but as enthralling, worshipful re-envisioning of classics put in proper musical context for the Miami Vineyard worship community.

I absolutely love this album. On a recent day trip my teenage son came with me. For hours we listened to "Miami Vineyard Live", replaying it over and over again. He was so impressed with both the music and its unique approach, he has written the church to find out more about their church, worship and work across bilingual communities in their area. He hopes to even go the the church (though) as an intern at some point to learn from them. All this sparked simply from listening to their music. Yes! It's that engaging, and that encouraging!

If you haven't had a chance to listen to "Miami Vineyard Live", I strongly encourage you to do so! You can listen to online samples of every song at the weblink below. But to do this album justice, make sure to go through all the samples of each song. A great new worship album with fresh ideas, great songs and a wonderful approach to bi-lingual worship. I love it! A full Editor's Choice Award goes to "Miami Vineyard Live." Well done!

Amazon Link: http://amzn.to/xNNKBM

Free Song Download from "Miami Vineyard Live"

 *many thanks to the fine folks at Vineyard Worship for providing this.

Review by Kim Gentes

Live worship albums have been a strange mixture of odd results over the years.  From ultra-produced albums that have little semblance to the actual original recording from which they are founded to the "push play" recordings of raw worship with poor production, one always has to take the "live" moniker in an album title with a grain of musical salt.  And this isn't just a recent thing- it is something that has been the way people have viewed "live worship" albums for now well over 15 years.  But few people would disagree that the monumental contribution of Kevin Prosch's "Even So Come" album gave us the landmark for all attempts at live albums that would follow in the 13 or so years since its original release by Vineyard Music (back in 1991).  We are elated to announce that Even So Come has now just be re-released and is available!

What is even more astounding about it is that while many have come after, attempting to mimic or even be inspired on to a better results- none, absolutely none, have surpassed Even So Come.  On the musical side, this album has a supreme combination of more vibe, great musicianship, and wonderfully balanced production than any live album ever recorded in the worship genre, and most Christian music for that matter.  Even if you aren't stylistically inclined towards Kevin Prosch's musical tastes, you simply can't ignore the great listening and engaging experience of this album.  On the "worship" side of things, this album epitomizes the spiritual journey of the "dream" spontaneous worship set- a time when the obvious anointing of the Holy Spirit was so present that it was captured on the recording of this evening of worship.

This album starts off right, as a live offering-- inviting the listener to humble their hearts by joining in with the opening prayer led by Kevin Prosch. Walking through the songs on this album is a list of classics that now stand as some of the most unique and powerful lyrical and musical pieces played in churches in the last 20 years.  The scripture-inspired prayer of "Show Your Power" catapults you into the experience from the first downbeat, as it has for thousands of churches around the globe. The great song, "Shout to the Lord" is a refreshing upbeat declaration of prayer and obedience to the direction of scripture to sing and even shout to the Lord. The next song is the title track- an ethereal, prayer song called "So Come" which invites Jesus to return to His bride the church in the manner of Revelations ("come Lord Jesus").  My favorite on the album, this song is as soothing to the soul as it is haunting to our sensibilities.    This is one of the few songs I have ever used in a church service, that also has the strength and depth of content to be equally comforting at a funeral of a loved one (I have used it in both).  The album truly moves on with the recording track of a spontaneous song, they titled "Great is the Lord", which highlights the amazing gifting of not only the musicians, but Prosch as truly an inspiring musical and lyrical gift to the whole church.  This is followed by three more Prosch classics (His Banner Over Me, Thanks Lord, Save Us Oh God) which have also found their place across the worldwide church.  Then comes another amazing spontaneous song, and finally the project concludes the way it began- with ministry and prayer.

What is even more amazing than the songs and this tremendous CD is the far-reaching effect of Kevin's ministry as an igniting force in the lives of innumerable worship leaders, from the local unknown worship leaders to now well-known ones such as Matt Redman, Darrell Evans and many more.

The re-release of this great album is welcomed back to where it belongs- a true gift to the world wide church!  Absolutely no one should miss having this CD in their collection, whether the worshipping Christian, or the aspiring worship leader.  It is such an important album on every level, we have to give it our Editor's Choice Award.  The number one live worship album ever!

Product Link Even So Come : A Live Night of Worship at the Anaheim Vineyard

Review by Kim Gentes