Music Reviews (by Kim Gentes)
Back in the mid-90's Kim began writing impromptu reviews of church music CDs (worship music) so that people who were looking for CDs would have an opinion from someone who is also a worship leader and is garnering music for local church use. Up to this point, this was rarely something that was done, because church music was revered as sacred and it was thought that any offering of that sacred worship shouldn't be criticised or evaluated. In fact, Kim wasn't as much a critic as he was an evaluator, helping people find what fit their church. He began posting his reviews on line in a email discussion forum, called the Worship List (website). After a while, when he helped launch Worshipmusic.com, he continued that same concept of trying to help other local church worship leaders and musicians find music that might be applicable to their situations. The reviews continued to be a part of that. Worshipmusic.com went on to grow a staff of writers that would add many more reviews to the collection they have, but Kim continued to participate as a key reviewer. This journal logs all the reviews Kim has written on worship music CDs and projects.
Kim's reviews of CD projects of worship music includes independents, label and main stream recordings, but all having to do with worship music.
Entries in album (50)
The Same Love - Paul Baloche (2012)
After over 15 years of reviewing worship music I've realized that there are often two types of exceptional worship projects: a) an amazing production with radio-singable songs and great singles for iTunes; or b) a great worshipful album with congregational singable songs that are accessible for the church worldwide. Normally, those two categories are mutually exclusive and only a very few worship albums ever combined both elements. Finding both was rare and exceptional, such as Tomlin's breakout "Arriving", Third Day's first "Offerings" album, and some of the new tracks from the live Jesus Culture albums.
Then came, "The Same Love", the newest album from Paul Baloche. Before I decided to review the album, I had heard (and purchased) the title cut, which was released a few weeks before the album finally released April 3. The title cut was such a captivating track, I was very interested in pursuing listening to the full album. But rather than sitting down and listening to the complete project 5-6 times to soak in the songs, I decided to review the project in a way I've never done before.
Before listening the album, I grabbed my guitar, capo and pick. I went into my office, turned on my computer, and logged into Worshipteam.com. I found all the songs with chord charts and audio. Then, I went through the album in real-time, with the charts in front of me, playing along. My first experience with the album was listening, playing along, learning, singing and worshiping my way through all 13 songs. It was an absolutely wonderful experience!
More than anything else, I was taken by surprise at the combination of exceptional songwriting and prestine performance that was merged with accessible, great congregational worship songs. I am an average guitar player and with a reasonable tenor voice and range. I was able to sing, play and worship right along with literally every song on the album. I didn't have to change the key of any song on the album to sing along, and yet every song had great musical balance and tightness to its presentation.
But once I went through the album once, I couldn't stop. I kept playing and repeating through the album, playing along, worshiping and even picking out songs I will add to my repeteroire as a worship leader. And this is the power of this album- you will find a lot here that is useful for your local church! Having gone through the album this way, I write this review with no reservations or apologies. Let me highlight for you the songs that rivetted my attention and might yours.
Of course, the title track "The Same Love" is the standout favorite. This song is so singable, so well written, and so well produced that it belongs alongside the very best songs written in the last 10 years. Paul does what he has become so proficient at- creating an infectious melody around substantial, theologically rich lyrics whose purpose is connecting the power of "the same God that spread the heavens wide" with the humble humanity of each of us whom he has come to "set the captives free" and "opened eyes to see". What ties this song together is the parallel balances of "The same love" (God) offers his invitation by entreating us as His children by "calling us all by name". I could spend paragraphs trying to expound the theological richness of this truth, but Paul Baloche and co-writer Michael Rossback have done the artful work of teaching us one of the main meta-narratives of scripture in a single great song, summed up best by the last half of the brilliant chorus:
The same God that spread the heavens wideThe same God that was crucifiedIs calling us all by name, You are calling us all by name
And this is precisely Paul's writing gift, as it has been for years- he marries God's immanence and transcendence in a harmony that only music and lyrics can provide.
This glorious effort continues with the second track titled "We Are Saved". Co-written with Hillsong's Ben Fielding and Jason Ingram, this song reminds you quickly of a Hillsong United anthem, with deep pocketed chorus and a resounding bridge to vamp the song into another level. Another great track.
"King of Heaven" is a prayer call in the "maranatha" tradition (in the sense of actual biblical usage of the Aramaic word, not any reference to the music company)- the song lyrics are a call for Jesus to come down both now and future as in "King of heaven come down". The arrangement is a bit of straight rock mixed with meandering banjo overlays, all treated to the sweet-dry harmonies of 'All Sons and Daughters' duo Leslie Jordan and David Leonard. Think worship rock meets 'O Brother Where Art Thou'. Blissful!
Robert Lowry's "Nothing But the Blood" is the foundation of track four's "All Because of the Cross", which adds a nod to "Oh the Blood of Jesus" in the arrangement as well. Track five follows theme and empties out the sonic pallet with piano and cello guiding the song gently to its pensive place as a song perfect for communion called "Your Blood Ran Down".
Next, Paul (along with Ed Kerr) mines another classic hymn with "My Hope", drawing from Edward Mote's "My Hope Is Built (The Solid Rock)" in various stanzas. Like its hymn source, this song is a resounding declaration that each worshiper can connect and relate with. That no matter the circumstances of life that "You are my Rock" and "I'm holding on". On a personal note, this song was very encouraging to me. The last few years I have seen a number of friends and family lose loved ones to illness and age. This song is a solace into God's reality of hope that lies beyond what we experience so painfully in those difficulties.
Track eight brings us to "Oh Our Lord", yet another co-write- this time with the aforementioned Leslie Jordan and David Leonard. Hints of the slide guitar and the haunting melodies of the co-writers imbue the song with a blue-grass/folk base that lifts the verses into glorious tension with the bittersweet chorus and triumphal bridge. Wow! I love this song.
And so it goes for the entire album- this album is full of resonate melodies, blissful harmonies and thoughtful lyrical text.
But beyond all this great music, great lyrics and great production, remember how I said I reviewed this album- I literally sat down with a guitar and played along with all the songs, in my first hearing of the entire album! This means the songs were as beautiful as they were accessible! I challenge you to do the same- grab your guitar, sit down and see if you can't find 3 or 4 songs that become part of your worship leading repertoire.
I think you will find what I found- this is album is worth spending the hour it takes to play along and learn from one of the best songwriter/worship leaders of our generation. For this reason, I unequivocally can say that "The Same Love" is an easy album to grant my "Editor's Choice Award" to. I can't see how it wouldn't make consideration for the top worship album of the year. It's that good. Great work Paul- and friends!
For churches using WorshipTeam.com, all the songs, chord charts and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below. Integrity Music has also granted us permission to give you the chord chart for the title song as a download directly here, so you will find it below.
Amazon Link: http://amzn.to/HS0E9P
Review by Kim Gentes
Free Chord Chart Download "The Same Love" from Paul Baloche
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Great Great God - Gateway Worship (2011)
In the last month, I have been listening to the newest album from Gateway Worship called "Great Great God". Listening, yes- and loving it! In it's short history, Gateway church in Southlake, Texas has been the seedbed to some great new songs, leaders and songwriters. With worship leaders/songwriters like Thomas Miller, Walker Beach, and Kari Jobe (among others), both the recordings and the songs coming out of Gateway have been top notch music and vibrant songwriting. This latest album, Great Great God, is no exception to that trend.
The album kicks off with the rhythmic and anthemic "Every Day I Live", led by Thomas Miller. Declaring that:
Every moment, for Your glory, every breath I give You praiseAll my days I'm living in Your graceEvery heartbeat wants to know You, now I live to make You knownI wanna show the world You are the God who saved my soul
Miller leads this live album off with a congregational energy and joy that enthusiastic, but stays authentic and in the tradition of declarative praise of commitment to the Lord. Great stuff!
The second track is "Sun & Sheild" and brings the congregation to a further exalting of God's attributes as our "sun and shield", allowing us to put our trust in the God who is our strength in times of need. I like the lyrics and focus of this song, which pinpoints our weakness as the moment and place in which we need to turn our hopes and trust over to God. Very well crafted.
The third song is a brilliant rendition of the classic "Holy Holy Holy" (Dykes and Heber), but with a wonderful refrain which is perfectly written to compliment this timeless song of theological depth. The added section (written by Walker Beach) pays a resounding tribute to the content already present in the song- speaking of God's Lordship, kingship and eternal nature. After hearing dozens of remakes of various hymns by Tomlin and others, this remake of this georgeous hymn actually surprised me! In my opinion, this is literally the best "modern worship" revision of any classic hymn in the last 15 years. It is easily my favorite song on the album.
Kari Jobe takes the lead vocals on the next track, drawing the pensive and beautiful tones of her voice into a peaceful ballad that flows with just piano and gentle strings as compliment. No drums, no guitars- just a simple and inviting call of devotion that leaves every worshiper calling out to God- "You're my everything".
The album continues with three more tracks that reverberate with strong declarations of God's goodness and greatness. The final song highlights this as the title track "Great Great God", declaring "there is no one like our God".
Gateway Worship's "Great Great God" is lives up to its namesake title of being another great contribution of songs from the writers and leaders at Gateway. Though this is more an EP length contribution that past albums (7 original songs), it is well worth your attention, especially if you are a worship leader looking for great songs for Sunday morning. I can't reiterate it enough- the third track on this project is really the best hymn remake in the last 15 years. Take a look at this project, if even just for that song, and it will be well worth your time.
For churches using WorshipTeam.com, all the songs, chord charts and audio are already available and pre-loaded for you in the WorshipTeam.com system song database.
If you want to listen to audio samples or purchase the album directly yourself, see the Amazon link below. A great new album!
Amazon Link: http://amzn.to/yS3HCa
Review by Kim Gentes
Christmas In Ivory - Ed Kerr (2011)
Christmas brings out nearly everyone in the music world. Renditions here and there, all styles and all kinds of remakes of classic songs.
What comes as a respite for me is the simplicity and beauty of music played in the excellence of a grand piano. Ed Kerr is the veteran musician, songwriter and composer that has been gracing the Christian and worship music world for over 20 years.
Recently, I have been listening to eight classic Christmas songs and enjoying the sounds of the piano as crafted by Ed Kerr. His new release, "Christmas In Ivory", takes the iconic songs of the season and places them to inventive but classicly framed arrangements.
Are you looking for a fresh new album of Christmas music that you can put on and enjoy for hours? "Christmas in Ivory" is my recommendation for you. But don't take my word for it- check out the free song below, which is one track from Ed's album.
Free Song Download from "Christmas In Ivory"
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Now that you have sampled part of this great album, I strongly encourage you to get the entire album. You can get a copy of the album yourself at :
Christmas In Ivory (CD) http://bit.ly/uMz8cl
Christmas In Ivory (MP3 Album) http://amzn.to/w0K2EC
For musicians or churches interested in incorporating some of these great song arrangements in their own contexts, there is also a full digital songbook available at the same page.
Review by Kim Gentes
Furious - Jeremy Riddle (2011)
"Your love never fails,
It never gives up,
It never runs out on me. "
This is the anthem call of the newest album from Vineyard Music's Jeremy Riddle.
Some projects come loaded with great music. Some with great songwriting. Some with timely message that is beyond both music and lyrics- a sense in which now is the time for us to all to sing a song together.
Today releases the 3rd album from Jeremy Riddle, worship leader and songwriter. One listen to this album and you are immediately struck by Jeremy's desire to be set on fire by God, his unconcern for following a formula and his ernest contrition in songwriting. On the fuel of Jeremy's great vocals, songwriting and passion, producers Bobby Hartry and Ed Cash deliver the best album yet from Jeremy Riddle.
Having heard all of his past published work, including studio and live projects, this album "Furious" represents the most diverse venture yet for Jeremy. Diverse on two main fronts- musical style and songwriting. Stylistically, Furious journeys to acoustic ambient sounds (Fall Afresh, Here, Always), wall-of-sound rhythmic song (Furious), soft rock melody (Love Came Down), building pop/rock anthems (One Thing Remains, You Are Good, One Thirst and Hunger, Glory To The Lamb, The Lord Is My Shepherd), and pensive minor ballad (Walk In The Promise).
I love the hills and valleys of tempo, instrumentation and lyrics given place in this album. It doens't run you over with a frieght train of hard-driving rock anthems, and doesn't lose structure with tiresome endless introspective songs. There are great prayer songs here, but they range from the hungry-call songs like Fall Afresh and Always to declarative scripture prayers like The Lord Is My Shepherd.
The albums adds some encouraging diversity to Jeremy's songwriting, with many songs co-written by Bethel church songwriters (Jeremy's home church). Writers Brian Johnson, Jeremy Edwardson and Christa Black bring added freshness to the songs of this album, taking it beyond the wonderful but limited range of Jeremy's past recordings. The stand out church favorite will doubtless be "One Thing Remains (Your Love Never Fails)", which has already become a very fast rising favorite in churches around the world.
My favorite tracks are Furious, One Thing Remains (Your Love Never Fails), with The Lord Is My Shepherd being my standout favorite. This album is georgeous music, free from a style rut, well-written and encouraging. One thread that follows through a great number of the songs is the encouraging, grace-filled messages of the song lyrics. A thankful heart resounds on nearly every song, and it lifts us all up to join with Jeremy as he sings:
If the storms of life they come
And the road ahead gets steep
I will lift these hands in fatih, I will believe
I remind myself of all the You've done
And the life I have because of Your Son
Come take this journey and lift your heart to the Son. A great album, and a beautiful musical narrative of God's love! Furious is my Editor's Choice Worship Album for 2011.
Available already at WorshipTeam.com (full length audio, chord charts and lyrics for subscribers).
Product Link : Audio samples for all 12 tracks available at Amazon
In Him,
Kim Gentes
Folks Like Us - Club Vineyard 73 (2011)
Track one is Folks Like Us, an unashamed return to the countryfied rock sound. Since I had just listened to some old projects, I actually thought it hit almost dead on with the sound of the 1999 Vineyard project, The Burn Service. It’d be hard to sound more like Bruce Springsteen or John Mellencamp, unless you got them to sing lead. Great, Americana rock. Lyrics are well-matched with earthy nouns, that paradoxically soar in declaration of God’s greatness towards us, and our need for Him, as His children. Very well done.
Track two and three moves on to the pop in this project. Absolutely a perfect blend of adoration and glorification in the lyrical mixture of the song Furious. Production is clearly meant to match Jeremy Riddle’s pop-ready vocals with Furious (track 3) and The Lord Is My Shepherd (track 4) making the entire album soar with radio-ready listening. These two tracks are spectacular, though track 4 remains arranged out of bounds for most congregations. The songs are truly excellent, though, so don’t miss these. Passionate, singable (in simple form) and engaging. Plus, there is some excellent scripture and theology writing here, especially in The Lord Is My Shepherd, which is a beautiful new rendition of Psalm 23.
The next two tracks, Form Us and Worthy, are songs co-written by Casey Corum and Anabeth Morgan. This is where the flood comes in. These are studio track recordings that are core renditions for easy learning and reproduction in local churches. While there is nothing fancy on the production of these songs, there is nothing lacking here either. Form Us is a pensive, prayerful, surrender song that beautifully calls on God while agreeing with His will, much in the same way that Jesus taught us to pray in Matthew 6 (Your will be done). Worthy is old fashion rock sounds on one of the core messages of the Book of Revelation- “Worthy are You, Lord”. In a building verse/bridge/chorus sequence this song builds into a powerful exaltation of the worthy Lord.
With track 6 comes my favorite new song of this new album- One Thing Remains. Written by songwriters at Bethel Church, this version is a live recording of the song from a recent Vineyard conference. The production is stripped back to a true live arrangement that works for the conference, local churches and the recording. Building on what is a great musical song, Casey Corum lifts the vocals and energy of the song to a powerful anthem. While this isn't my favorite arrangement of this song, it feels the most accessible for local church use.
After another song by Jeremy Riddle on track six (taken from the Bethel Music “Be Lifted High” album), the next four tracks are from a series of live recordings from the Cultivation Generation conference/event. Pounding anthem, surrender songs that lift up God’s glory, I Am Yours and Your Mercy are clean, straightforward rock, with lots of energy and passion. Again, lyrics and melody are strong.
The album concludes with two songs from David Linhart, a very gifted musician and lyricist. While not a typical “worship” style you might expect, David’s songs are beautiful stories of love, hope and God’s character. I love this mix of grace in a recording collection like this. Linhart’s surprising two-step collage on Straight From the Source has a soothing effect that still has the truth ringing around in my head that “we have true hope straight from the source”. Linhart’s reggae background bubbles to the surface, helped by a story-talking blues style with the final cut God Don’t Never Change. Most folks won’t be playing these last two songs in church, but there is a quality of grace on the songs that encourages the soul. Thank you Vineyard!
The entire album, songs, audio and chord charts are already available for subscribers of the WorshipTeam.com worship planning system.