Kim Gentes

I first heard of Vicky Beeching from the landmark Vineyard UK CD "Hungry", where her song "There Is No One Like Our God" appeared in the track list. Later, in 2002, the release of another Vineyard UK project, "Holy", included her popular song "Above All Else". This year, Vicky has come to fruition as a songwriter and worship leader with her new release "Yesterday, Today & Forever". This is a clean, crisp studio project with a mirthful combination of church-usable worship songs with radio-playable production.

What you notice right off about this CD is that it has perfect production sensibility for each song, elevating the arrangements for the anthemic songs and paring down to simplicity for the beautiful, haunting songs of intimacy. In fact, it took me a long time to detach from engaging in the worship music contained on this CD, to allow me to listen critically to the various components of production and songwriting it contained.
From the title track "Yesterday, Today & Forever", you will not be able to sit idly by as this project rolls on. You will be singing or humming your way through, and this is good. And this is not just because the music is interesting, but also because the lyrics have a beautiful balance and deep content to them such as the second verse to her opening
track:

Uncreated One,
You have no end and no beginning
Earthly power fades,
But there is no end to Your Kingdom
Always loving, always true,
Always merciful and good, so good.

Vicky's writing has a conscious balance of awe-filled, glory expression (songs like "Yesterday, Today & Forever," "Above All Else" and "Majesty and Mystery") and prayer and surrender songs ("Search Me", "Nothing Is Impossible" and "Extravagant Worship"). Her lyrical content is solidly scripture-based, while be obviously passionate and personal. A bit of background information on Vicky helps with understanding some of this lyrical depth, when I found out she is has a theology degree from Oxford University. Along with her competent acoustic guitar prowess and pristine voice, she certainly has a wealth of skills to draw from in writing and presenting her songs of devotion.

Listening through the CD, you will have a hard time not closing your eyes and surrendering your heart, if you sing along with honesty to the song "Above All Else". I still find myself in tears when I say those words from my heart. In this same vein, "Captivated" is aptly named as the song allows you to consider the Lord and be captivated by his beauty. This CD playlist is a wonderful washing of music and lyrics, bringing in waves of cresting celebration songs, accentuated with ebbs of deep worship songs. For me, the most memorable part of the CD is the last 3 songs, where we go from being captivated by His glory, to the 6/8 swing of surrender in "Extravagant Worship" and ends with a beautiful re-envisioning of the classic "Turn Your Eyes Upon Jesus".

Because of the variety of tempo and arrangements across these songs, this is not a CD that will grow tired quickly in your player. Be sure to check it out- you will not be disappointed.

Product Link Yesterday Today & Forever

Review by Kim Gentes

Rita Springer. Over the years, those who have heard Rita and been encouraged by her songwriting, worship leading and recordings have know there is one word that is synonymous with her music- passion. No matter the context or setting, you knew that no song would be glossed over or done half-hearted, if Rita was in the room. And so, her soaring vocals have torn through hearts across the church. And while the contribution of Rita Springer isn't limited to just a style, and her songs have become well used in many parts of the body of Christ, it has been her voice that has earmarked her ministry.

With 'I Have To Believe' Rita Spring returns with her most sonically excellent project to date. Every note, chord, and rhythm are laid out with expert precision into the tracks of this new offering. And this is not surprising, since acclaimed producers Nathan Nockels and Margaret Becker have taken the helm for the production on this recording. The result is both beautiful and surprisingly broad in its reach. For, in the past, while Rita's earmark has been thundering passion in both heart and voice, this was the same thing that would make the average person listen for 3 or 4 songs to any of her previous albums before taking a break to recover, before listening to the rest of the album.

'I Have To Believe' brings Rita's songs, voice and passion into pristine focus for both the general listening worshiper and the worship leader looking for new songs that they can do in local churches. Pre-eminent in this recording is the great radio listenable track 'You Are Good', a nice acoustic piano cover of Martin Smith's 'Rain Down', and a new classic Rita Springer ballad 'O God Of Mine'. The production is perfect, really. I loved hearing Rita flow more subtly and gently through the warm verses of 'Captured', parts of 'You're More Than a Friend', and ebbs and flows of 'Everywhere'. What makes these all the more poignant is the contrast they present to places where she lets her voice soar and rip through with real passion.

Aside from the technical excellence of this album the development of styles into a few different directions on this album is also a nice surprise, with the gospel groove of 'I Have To Believe', the guitar laden 'You Are Good' and the touch of tech/ethereal meanderings of 'Captured'. Wonderfully done, but weaved with consistency through an entire album that sounded like a complete offering and not a bunch of scattered songs. For the worship leader wondering what might be in store for their local church on this album, there are a few very good selections to glean, though this is clearly aimed at being a premium radio listening experience. The top of the list for worship leaders looking for material should be listening to 'You Are Good', the infectious 'Captured' and covers of 'Rain Down' and 'You're More Than a Friend'.

'I Have to Believe' is not just a maturing of talent for the artist, but a perfect blend of producers with one of the most gifted vocal talents in all of Christian music. For this, and the great new songs we get, WorshipMusic.com is happy to give 'I Have To Believe' an Editor's Choice Award.

Product Link I Have To Believe

Review by Kim Gentes

Joyful, unencumbered and refreshing. These are the thoughts that come to mind as you sit down and worship along with worship leader Carl Tuttle's latest studio CD 'Vineyard Classics'. These are some of the most poignant, worshipful songs you will ever hear. At the core of this album is simplicity and devotion. The songs are accessible in their musical and lyrical arrangements, though the album is very well produced and sonically pleasing. For those who are familiar with the songs that have come out of the Vineyard music stream in the last 25 years, they may be aware of the foundational component that Carl Tuttle and his music have played in forming the Vineyard values and style in its music content and writing.

On this album Carl revisits the best songs he has penned and captures fresh and engaging recordings of these great songs. From the celebrative 'Lift Jesus Higher' and 'Hosanna' to the repentant 'Oh Lord, Have Mercy on Me' to the glorious 'All The Earth Shall Worship', song after song will wash a sense of peace and truth into your heart. It's interesting to me that as I look at these songs, so much of the lyric content is simply capturing the message or direct content of the Psalms, or various other scriptures.

As a worship leader myself, I have a repertoire of songs from across many groups. I use some UK worship songs (Redman, Hughes, Delirious et al), Passion worship (Tomlin, etc), Integrity music (Doerksen, Ten Shekel Shirt), recent Vineyard music (Dwell, David Ruis, Andy Park etc), and a smattering of other sources (from Third Day tunes to old hymns). I mention this because it might help those who have similar song sets in their local churches. Over the last several years, as these songs have grown and expanded into our local churches, the music has become increasingly well produced and more complicated in arrangement. While it gives us fresh music with interesting sounds, in an effort to make each song more interesting, more engaging, more unique, it seems that we may have lost something. This new album from Carl Tuttle, reminded me of the simplicity and power of songs speaking of repentance, humility and simple abandon to falling at the feet of Jesus.

What I try to do, as a worship leader, is to hold in tension two things: following the dynamic direction of God for the moment, and using a collection of well-thought, scripturally-centered songs that present the complete picture of Christ and his works. What I love about this album is that it reminds me of one of the most important themes that can easily disappear from our music selections- the song of repentance. The seeds of revival and renewal have always been prayer and repentance (2 Chron. 7:14). Three songs on this album are powerful in that regard of giving us language to express our human weakness while inviting Christ's redemption to overwhelm us- 'Without Your Love', 'Because of the Lord's Great Love', and my favorite 'Oh Lord, Have Mercy On Me'. I recently reintroduced this last song to our local church during worship and it was very engaging. What I'd like to convey most of all is that this is an album that lyrically encourages you to simply bow down at the feet of Jesus.

Those of you who have long known these songs will be happy to find this CD of excellent songs collected into one release. Those who haven't heard these before, I strongly encourage you to check out this CD and be refreshed. A truly great album!

Product Link Carl Tuttle's Vineyard Classics

Review by Kim Gentes

From 2004 to the present, few Christian recordings have been able to attain the level of popularity that garners platinum record sales.  Fewer still have included songs that are not only great radio favorites but long term standards for Sunday morning worship. But all that and more has been accomplished by this amazing solo project from one of the top artists in Christian music today- Chris Tomlin. Arriving was Chris Tomlin's break out blockbuster album and it still holds sway as one of the best artistic endeavors in Christian music in the last 10 years.

Arriving became such a tremendous success for several reasons, but the primary are: great songs and great production. One of the hallmarks of a great artist is their ability to incorporate great songs that they didn't write. Tomlin shines in this regard, recognizing that while he has strong songwriting chops, some of the songs he is best known for are not his writing at all- Indescribable and Your Grace Is Enough two brilliant examples. Arriving is the perfect balance of radio ready songs and corporate worship favorites. This became the backbone of its stream of #1 radio hits. The creative genuis of Ed Cash rendered Tomlin in his absolutely best light, making the songs on this album shine.

Songs like Holy Is The Lord and How Great Is Our God have become staples in the CCLI top 10 list of most used songs in the world.  Cash's perfect production and layered sounds has since been copied time and again by other worship records, but never to the same level of authenticity or success.

But beyond the awards, success and record sales, this album represents what is the pinnacle of the praise and worship genre in Christian music- great art in a devotional context. While the album lacks the gritty vibe of a live project, nothing sounds phoney about the stellar arrangements placed on every track. Tomlin's high tenor reach and textured voice makes the project worth listening to all the way through.

While worship leaders would be ill-advised to retain the songs in same key as the original recording with Tomlin's soaring vocals, all the songs are usable and accessible. In fact, the tunes are so hook-laden and melodic any revisions will do well to retain the memorable arrangements even if shifting pitch for congregational singability. Again, this CD has recieved all the accolades possible. In the age of a collapsing music industry, church based worship music has continued to be as popular as ever. And none more popular than the songs, artist and writer of this album. Arriving has left a monumental imprint on the last 7 years of Christian music and continues to do so.  If you haven't got your own copy of the tremendous album, check out the link below and get the MP3 album for your collection. It is worth it.

Product Link: Arriving: Chris Tomlin

Review by Kim Gentes

The chapters of Nehemiah have long been a prophetic spark to call forth life in the church. The painful beginnings in the rubble of defeat and shame. The ongoing antagonism and attacks of Sanballat and other nay-sayers. Even the internal struggles of uniting the families and people into the one task of rebuilding the wall of hope. Nehemiah is not a story for the great victorious church, where Christians triumph idyllically in every circumstance. Rather, it is a call to the broken and tired church, where followers of Christ long to be reminded, and encouraged, to once again stand up, and say with that ageless prayer-confession of Joshua, "As for me and my house, we will serve the Lord" (Joshua 24:15).

With these two thoughts, Brian Doerksen begins an interwoven message of music and ministry through his newest offering, entitled "Today". As I soon found out, merely picking up this CD and listening to it, was a bit of a limiting perspective in engaging with all that this project encompassed. For days, I listened to and enjoyed the CD, but the richness of the "Today" experience wasn't clear until I began to read the book-length liner notes (seriously) and finally to pour over the "Today" DVD (available separately from the CD).

"Today" is a worship project that really needs to be experienced to be appreciated (IE. get the DVD!). And there is much to appreciate here. Musically, the track list is comprised of eight new songs (except for one, all written or co-written by Doerksen), five redone songs mostly from Doerksen's Vineyard repertoire, and two re-visited classic hymns. Stylistically, this is Doerksen's most diverse palette of tastes presented on a single album yet. While maintaining his signature vocals and soft pop acoustic/electric sound, Brian draws in sounds and sights of the past with moving renditions of hymns of the church, and incorporating music styling from classical and traditional influences. Blending pop vocals and instrumentation, adult & children's choirs, a wonderful orchestral group and even a jazz ensemble, Doerksen, and co-producer Philip Janz, create an album that bridges ages and builds a wall of God's faithfulness through music and multimedia.

The live evening of worship (as recorded on the DVD) begins with the reading of Nehemiah and a short message by Doerksen. The music recorded on the CD provides the content structure of the worship flow that goes from declaration and celebration to deep devotion and contrition to heartening prayer and exultant praise. The first song and title track bursts out with the anthem "Today", singing a modern revision of the declaration of Joshua. This song is typical Doerksen- refreshing lyrics, hook-laden melody, and easily played music. But right from this first track, there is a distinctive clarity on this project that defines a previously indefinable Brian Doerksen. From the understatement of pop influence on this album, to the inter-generational song selection, to the orchestral arrangements, to the blends of vocal leads, choirs, and children- Doerksen looks more at home on this album than any to date. The song "Today" will be a great new 'call to worship' song for the church.

The second track is the song "Everlasting", which is a building declaration song that is vibrant and memorable, and ripe for use in churches. And like much of the new songs on this album, it is a well-crafted collaborative songwriting effort. This CD is a wonderfully arranged worship set, songs selected purposefully to tell a story in a rich sequence of ebb and flow. Track three is a deep prayer/declaration (in the tradition of Psalm 42) called "You Are Everything". This song leads perfectly into the lilting melody of "The River", a country-styled song highlighting the beautiful voice of Brenda Janz. Don't miss this song, or you will miss one of the most easily adapted contributions on this new album. For brevity, I will not explain each song on this album, but please give yourself the benefit of listening to them. You won't be disappointed. From a song about our place with God ("My Redeemer"), to the call to war in "Fortress 144", to the timeless repentance anthem of "Refiner's Fire", this is a storehouse of great songs for the church.

My favorite track on this project is titled "Hear From Heaven", a soul-piercing prayer borne from text of 2 Chronicles 7:14. This prayer/song calls to God to forgive our wickedness and heal our land. I have been saying regularly in this review that you must experience this project to fully appreciate it, and this is most poignantly expressed in the video (from the DVD) of this song. I was moved to tears as I watched every person in the auditorium of the event expression hand actions while singing this song. The song rests in tender prayer transitioning from our cry for God's healing into the wonderful declaration of His work on the cross, through the song "I See The Cross". The album concludes with an equally powerful reprise of "Today", in which any father or parent will be brought to tears as you see generations of Christ's servants declare in song to Him, "today we choose to follow You"!

There is no doubt about it, the new album "Today" with Brian Doerksen will bring you a collection of songs ready for use in a broad spectrum of church applications from styling as diverse as guitar-driven bands to blended worship to choirs and orchestra-backed ensembles. But this project is much more of an experience of sounds and sight than just a few new songs. It is a celebration of what the church is called to, and what it can be- a church of unity, of power, of history and of "today".

Product Link Today

Review by Kim Anthony Gentes