Kim Gentes

Once in a while an album comes along that surprises you with great songs, capturing melodies and effusive worship. In the "normal" course of things, a strong project might contain one great song and maybe another good song. Rarely would you find a project with 3 or 4 truly top notch songs. But in 2006, a growing church in the Dallas metroplex released an album called "Living For You". The ministry of Gateway Church and its worship department was introducing its cadre of songwriters and leaders to the country for the first on a broad scale.  This inaugural release was not the first project Gateway worship had produced, but it was the first one released through Integrity Music, a group that has consistently mined a large portion of the most used songs in America over the last 25 years.

"Living For You" delivers no less thirteen prestine tracks, with four phenomenal songs, including one of the most popular songs in the world today in the blissful modern rendition of the trisagion prayer entitled Revelation Song. If you haven't heard this top 5 CCLI song at least once in the last 5 years, its likely you haven't been to church. For pastoral leaders and teachers Revelation Song was quickly accepted because it both glorified God with direct language and used mostly Scriptural quote and reference to fill and inform its lyrics. For worship leaders and musicians everywhere Revelation Song proved an irrisistable combination of excellent lyrical content and refreshing musical variety, giving the pop-worship 1-4-5 musical mantra a needed rest. Which of us worship leaders wasn't delighted to find a well-written song with a great melodic hook that made good use of a minor 5th and flatted 7th prominently styled into the song?

Other songs from this album, which have also found broad acceptance across the church, are You, You Are God, The More I Seek You and Thomas Miller's modern revision of the classic Come Thou Fount, Come Thou King. These songs are all incorporated with a top notch musical presentation into the "Living For You" album. Listening to this project, you will find moments of explosive praise, enthralling worship and absolute abandon. One forgets that the musical leaders on this project have become well known, because this project reflects none of the trappings of "stardom" that seem to come as quickly to Christian worship leaders as they do to pop stars.  The album feels and sounds like an authentic voice of a local church giving its all in song and worship to God. You will be drawn in and find yourself prayerful, praiseful and heavenward as you take the journey of the songs represented here.

If you haven't already put this project on your playlist, get the mp3 album and enjoy some great songs as you worship.

Product Link: Living For You - Gateway Worship

Review by Kim Gentes

I first heard of Vicky Beeching from the landmark Vineyard UK CD "Hungry", where her song "There Is No One Like Our God" appeared in the track list. Later, in 2002, the release of another Vineyard UK project, "Holy", included her popular song "Above All Else". This year, Vicky has come to fruition as a songwriter and worship leader with her new release "Yesterday, Today & Forever". This is a clean, crisp studio project with a mirthful combination of church-usable worship songs with radio-playable production.

What you notice right off about this CD is that it has perfect production sensibility for each song, elevating the arrangements for the anthemic songs and paring down to simplicity for the beautiful, haunting songs of intimacy. In fact, it took me a long time to detach from engaging in the worship music contained on this CD, to allow me to listen critically to the various components of production and songwriting it contained.
From the title track "Yesterday, Today & Forever", you will not be able to sit idly by as this project rolls on. You will be singing or humming your way through, and this is good. And this is not just because the music is interesting, but also because the lyrics have a beautiful balance and deep content to them such as the second verse to her opening
track:

Uncreated One,
You have no end and no beginning
Earthly power fades,
But there is no end to Your Kingdom
Always loving, always true,
Always merciful and good, so good.

Vicky's writing has a conscious balance of awe-filled, glory expression (songs like "Yesterday, Today & Forever," "Above All Else" and "Majesty and Mystery") and prayer and surrender songs ("Search Me", "Nothing Is Impossible" and "Extravagant Worship"). Her lyrical content is solidly scripture-based, while be obviously passionate and personal. A bit of background information on Vicky helps with understanding some of this lyrical depth, when I found out she is has a theology degree from Oxford University. Along with her competent acoustic guitar prowess and pristine voice, she certainly has a wealth of skills to draw from in writing and presenting her songs of devotion.

Listening through the CD, you will have a hard time not closing your eyes and surrendering your heart, if you sing along with honesty to the song "Above All Else". I still find myself in tears when I say those words from my heart. In this same vein, "Captivated" is aptly named as the song allows you to consider the Lord and be captivated by his beauty. This CD playlist is a wonderful washing of music and lyrics, bringing in waves of cresting celebration songs, accentuated with ebbs of deep worship songs. For me, the most memorable part of the CD is the last 3 songs, where we go from being captivated by His glory, to the 6/8 swing of surrender in "Extravagant Worship" and ends with a beautiful re-envisioning of the classic "Turn Your Eyes Upon Jesus".

Because of the variety of tempo and arrangements across these songs, this is not a CD that will grow tired quickly in your player. Be sure to check it out- you will not be disappointed.

Product Link Yesterday Today & Forever

Review by Kim Gentes

Rita Springer. Over the years, those who have heard Rita and been encouraged by her songwriting, worship leading and recordings have know there is one word that is synonymous with her music- passion. No matter the context or setting, you knew that no song would be glossed over or done half-hearted, if Rita was in the room. And so, her soaring vocals have torn through hearts across the church. And while the contribution of Rita Springer isn't limited to just a style, and her songs have become well used in many parts of the body of Christ, it has been her voice that has earmarked her ministry.

With 'I Have To Believe' Rita Spring returns with her most sonically excellent project to date. Every note, chord, and rhythm are laid out with expert precision into the tracks of this new offering. And this is not surprising, since acclaimed producers Nathan Nockels and Margaret Becker have taken the helm for the production on this recording. The result is both beautiful and surprisingly broad in its reach. For, in the past, while Rita's earmark has been thundering passion in both heart and voice, this was the same thing that would make the average person listen for 3 or 4 songs to any of her previous albums before taking a break to recover, before listening to the rest of the album.

'I Have To Believe' brings Rita's songs, voice and passion into pristine focus for both the general listening worshiper and the worship leader looking for new songs that they can do in local churches. Pre-eminent in this recording is the great radio listenable track 'You Are Good', a nice acoustic piano cover of Martin Smith's 'Rain Down', and a new classic Rita Springer ballad 'O God Of Mine'. The production is perfect, really. I loved hearing Rita flow more subtly and gently through the warm verses of 'Captured', parts of 'You're More Than a Friend', and ebbs and flows of 'Everywhere'. What makes these all the more poignant is the contrast they present to places where she lets her voice soar and rip through with real passion.

Aside from the technical excellence of this album the development of styles into a few different directions on this album is also a nice surprise, with the gospel groove of 'I Have To Believe', the guitar laden 'You Are Good' and the touch of tech/ethereal meanderings of 'Captured'. Wonderfully done, but weaved with consistency through an entire album that sounded like a complete offering and not a bunch of scattered songs. For the worship leader wondering what might be in store for their local church on this album, there are a few very good selections to glean, though this is clearly aimed at being a premium radio listening experience. The top of the list for worship leaders looking for material should be listening to 'You Are Good', the infectious 'Captured' and covers of 'Rain Down' and 'You're More Than a Friend'.

'I Have to Believe' is not just a maturing of talent for the artist, but a perfect blend of producers with one of the most gifted vocal talents in all of Christian music. For this, and the great new songs we get, WorshipMusic.com is happy to give 'I Have To Believe' an Editor's Choice Award.

Product Link I Have To Believe

Review by Kim Gentes

Joyful, unencumbered and refreshing. These are the thoughts that come to mind as you sit down and worship along with worship leader Carl Tuttle's latest studio CD 'Vineyard Classics'. These are some of the most poignant, worshipful songs you will ever hear. At the core of this album is simplicity and devotion. The songs are accessible in their musical and lyrical arrangements, though the album is very well produced and sonically pleasing. For those who are familiar with the songs that have come out of the Vineyard music stream in the last 25 years, they may be aware of the foundational component that Carl Tuttle and his music have played in forming the Vineyard values and style in its music content and writing.

On this album Carl revisits the best songs he has penned and captures fresh and engaging recordings of these great songs. From the celebrative 'Lift Jesus Higher' and 'Hosanna' to the repentant 'Oh Lord, Have Mercy on Me' to the glorious 'All The Earth Shall Worship', song after song will wash a sense of peace and truth into your heart. It's interesting to me that as I look at these songs, so much of the lyric content is simply capturing the message or direct content of the Psalms, or various other scriptures.

As a worship leader myself, I have a repertoire of songs from across many groups. I use some UK worship songs (Redman, Hughes, Delirious et al), Passion worship (Tomlin, etc), Integrity music (Doerksen, Ten Shekel Shirt), recent Vineyard music (Dwell, David Ruis, Andy Park etc), and a smattering of other sources (from Third Day tunes to old hymns). I mention this because it might help those who have similar song sets in their local churches. Over the last several years, as these songs have grown and expanded into our local churches, the music has become increasingly well produced and more complicated in arrangement. While it gives us fresh music with interesting sounds, in an effort to make each song more interesting, more engaging, more unique, it seems that we may have lost something. This new album from Carl Tuttle, reminded me of the simplicity and power of songs speaking of repentance, humility and simple abandon to falling at the feet of Jesus.

What I try to do, as a worship leader, is to hold in tension two things: following the dynamic direction of God for the moment, and using a collection of well-thought, scripturally-centered songs that present the complete picture of Christ and his works. What I love about this album is that it reminds me of one of the most important themes that can easily disappear from our music selections- the song of repentance. The seeds of revival and renewal have always been prayer and repentance (2 Chron. 7:14). Three songs on this album are powerful in that regard of giving us language to express our human weakness while inviting Christ's redemption to overwhelm us- 'Without Your Love', 'Because of the Lord's Great Love', and my favorite 'Oh Lord, Have Mercy On Me'. I recently reintroduced this last song to our local church during worship and it was very engaging. What I'd like to convey most of all is that this is an album that lyrically encourages you to simply bow down at the feet of Jesus.

Those of you who have long known these songs will be happy to find this CD of excellent songs collected into one release. Those who haven't heard these before, I strongly encourage you to check out this CD and be refreshed. A truly great album!

Product Link Carl Tuttle's Vineyard Classics

Review by Kim Gentes

From 2004 to the present, few Christian recordings have been able to attain the level of popularity that garners platinum record sales.  Fewer still have included songs that are not only great radio favorites but long term standards for Sunday morning worship. But all that and more has been accomplished by this amazing solo project from one of the top artists in Christian music today- Chris Tomlin. Arriving was Chris Tomlin's break out blockbuster album and it still holds sway as one of the best artistic endeavors in Christian music in the last 10 years.

Arriving became such a tremendous success for several reasons, but the primary are: great songs and great production. One of the hallmarks of a great artist is their ability to incorporate great songs that they didn't write. Tomlin shines in this regard, recognizing that while he has strong songwriting chops, some of the songs he is best known for are not his writing at all- Indescribable and Your Grace Is Enough two brilliant examples. Arriving is the perfect balance of radio ready songs and corporate worship favorites. This became the backbone of its stream of #1 radio hits. The creative genuis of Ed Cash rendered Tomlin in his absolutely best light, making the songs on this album shine.

Songs like Holy Is The Lord and How Great Is Our God have become staples in the CCLI top 10 list of most used songs in the world.  Cash's perfect production and layered sounds has since been copied time and again by other worship records, but never to the same level of authenticity or success.

But beyond the awards, success and record sales, this album represents what is the pinnacle of the praise and worship genre in Christian music- great art in a devotional context. While the album lacks the gritty vibe of a live project, nothing sounds phoney about the stellar arrangements placed on every track. Tomlin's high tenor reach and textured voice makes the project worth listening to all the way through.

While worship leaders would be ill-advised to retain the songs in same key as the original recording with Tomlin's soaring vocals, all the songs are usable and accessible. In fact, the tunes are so hook-laden and melodic any revisions will do well to retain the memorable arrangements even if shifting pitch for congregational singability. Again, this CD has recieved all the accolades possible. In the age of a collapsing music industry, church based worship music has continued to be as popular as ever. And none more popular than the songs, artist and writer of this album. Arriving has left a monumental imprint on the last 7 years of Christian music and continues to do so.  If you haven't got your own copy of the tremendous album, check out the link below and get the MP3 album for your collection. It is worth it.

Product Link: Arriving: Chris Tomlin

Review by Kim Gentes