Kim Gentes

Over 15 years ago, I remember listening to the cardboard-packaged CDs from the UK called "Cutting Edge 1 & 2" and "Cutting Edge 3 & 4". As I heard "Did You Feel The Mountains Tremble", "I Could Of Your Love Forever" and "Find Me In The River" my heart soared, arms lifted and tears welled in my eyes. I remember feeling that finally someone was playing my music. In that moment, I knew that "church music" was changed for the rest of my lifetime. Those albums, and the songs on them, were the first fruits of a crop of fresh worship that was to come from the UK, heralded most prominently by the worship leaders/songwriters Matt Redman and the incredible band Delirious1.

Delirious' leader singer and main songsmith, Martin Smith, has come full circle of that place - writing new songs from and for the local church. Reading a recent biography of Martin Smith, it sounds like he is stepped into a time of community in a local church plant in his native UK. It is from this seedbed of connection and community that Martin and his songs have re-emerged in this new album "God's Great Dance Floor: Step 1".

The opening track is a pop arranged song that stirs the worshiper with the appropriate title "Awake My Soul". Smith's voice and sensibilities jump right onto this album by bringing you into a place worship right from the start. The next song sounds like the 90s-captured sound from U2 inspired songs with the 16th note hihat and delayed electric guitar reverb setting the progressive groove of "The Fire Never Sleeps". In the midst if this upbeat celebration, Smith returns to his worship language of surrender, singing "burn oh my soul" out passionately and intensely.

"Back to the Start" is the third track, alternatively subtitled "God's Great Dance Floor". This song was the title track from the recent Passion conference live CD (and serves the same purpose here) done by Tomlin, Redman and Crowder to great effect. Here, Martin Smith gives us the crisp presentation of a tight arrangement, that has every bit as much energy as a "live" version. I really enjoyed this lengthy track that explodes into at least three different modes of energy and arrangements. Joy-filled and celebration-ready!

The album leans way back with "Waiting Here For You", a piano ballad in which Smith declares that he will wait for God, lift his hands and adore the Lord of all creation. With solemn "Alleluia" this song soars in peaceful surrender, the pop-ballad music gently percolating underneath the cleanly sung lyrics. A beautiful, glorious, song of surrender. Track five keeps the pensive mood, and opens up confession of brokenness and loss, ultimately reconciling such painful things in the providence of God to carry us through. Powerful. The track "Safe In Your Arms" is a prayer song, echoing the themes and lyrics from Psalm 23 with the resolution that "I am safe in Your arms". These last three songs form a deep pool of worship in the stream of this albums river of praise, perfectly fit in the mid-point of this experience.

Once making the corner passed "Safe In Your Arms", the tempo picks up once again, running into track 7 that overlays the metaphor from the old song "onward Christian soldiers" into a commitment song to encourage believers to surrender their lives and bring the love of God through acts of mercy and justice to the nations. While Smith is unafraid to use this metaphor, I wonder its usefulness in the international church today, which would be quite sensitive to this imagery being associated with Church.

The next track is called "Jesus of Nazareth", another song which seems like it is taken from a themed children's song, and turned into an "adult song", this time with full country/roots treatment of drums, guitar and even banjo, all plucking along to the cut time, until the very end where the song ends oddly with a rock exit. Track nine, "Catch Every Teardrop", sounds like a Christian radio heart-touch song, evoking both confession and prayer in this melodic and catchy tune. It would seem out of place on this largely worship-oriented project, but Smith draws on his already established thread of confession and prayer to make this fit and highlight his story-telling side. The last song uses allusions to David ("shepherd boy, singing to a choir of burning lights") mixed with Smith's personal call to sing to God and invite others into that song as a way to express "love is a fire!".

The entire album is delightful, starting with praise filled celebration, deep pools of worship and ending with songs of life and commitment to God's call. A thoughtful, engaging and uplifting project. Check it out!

Amazon Link: http://amzn.to/ZChwwk

Review by Kim Gentes

1. I use the simple name Delirious in this article, though they were branded as "Deliriou5?" in their official marketing and naming.

If you're like me, you have friends who regularly share with you of their latest discoveries in worship and music. Several months ago, one such friend, introduced me to a song called 'Here I am To Worship'. The song was clear, inviting and sparkling of truth. The more I listened, the less I listened and began to worship and bow my heart to God. Such was my initiation into the sounds and songs of a worship leader Tim Hughes, from Watford, England's Soul Survivor movement. Now, the album from the young Soul Survivor worship leader is released in the US and abroad. And thankfully, the title track ('Here I Am To Worship') was just a hint of the great collection of praise and intimacy that earmarks this terrific project.

As many of you know, my most important criterion in reviewing a praise and worship album (IE. an album for the Church to use in devotion) is the quality of the songs. In that area, 'Here I Am To Worship' is the finest album to come from the UK since Delirious? released their Cutting Edge double CD collection in the US. Most immediate comparisons for this album will go directly to label-mate Matt Redman's 'Friendship and the Fear' and 'Heart of Worship' projects, and rightly so. Tim Hughes garners musical and lyrical style out of the same cloth as Redman, no doubt about it. But comparisons are really not needed to appreciate this album, as it stands squarely on its own merits of terrific songwriting, great production and fine vocals! So let's dive in and look at the songs!

The project kicks off with 'Maker of All Things', a guitar driven song that is definitely a 'freeway hit' (you know what I mean- you will be rocking back and forth singing this song as you roll off to work on the freeway). Not only is the music upbeat, but also the lyrics and attitude of this song truly elevate the heart as you find yourself lifting up the Lord. I really appreciate the album starting this way, making God the context of our music through clearly praise pointed lyrics. In fact, you won't find the word 'I' in this introductory track at all; a tendency critics of modern worship music have said was a shortcoming of many projects. As a writer Tim Hughes does great service to the Church with this first song, making us all focus just on Him through God-ward lyrics. He also does not allow us to worship in isolation by crafting language for the whole Church and joining us all to worship by using pronouns 'we', 'our' and 'your people' through the song. Rolling along, the album ebbs musically softer through tracks 2 and 3. 'May the Words of My Mouth' begins by borrowing from Psalm 19, and resounds with personal devotion and commitment to 'follow You' and 'give my all to You'. Stuck between a great opening track and the title song, this track could get lost, but I encourage everyone not to let that happen. And that goes for this whole album- every track on this project is worthy of its placement on an international release like this.

On to the third song, we come back to 'Here I Am To Worship'. In my opinion, this song is so infectious, so truthful, and so balanced (by both words of heartfelt longing and beautiful lyrical sculpting of God's character) that it will become the most widely used song out of the UK worship stream since 'I Could Sing of You Love Forever'. In the manner as David did in the book of Psalms, this song attains the same amazing juxtaposition of personal prayer/cry and artful etching of God's awesome attributes. And that is the signature of Tim Hughes writing on almost every song- a constant contrast of our emptiness and God's greatness. You just have to look at the chorus of this song to see that clearly:

Here I am to worship
Here I am to bow down
Here I am to say that You're my God
You're altogether lovely
Altogether worthy
Altogether wonderful to me

What else need be said? If you aren't doing this song yet in your times of corporate worship, you will be soon.

Arriving at 'I'll Always Love You', the fourth track is easily my favorite. With the best musical hook on the album, this song says what we all long to say:

I'll always love You
I'll always sing to You, Jesus
I long to worship You in Spirit and in truth

The simple lyrics, great melody, and excellent power-chord progression of this chorus-based song will be bouncing around the halls of youth groups and youthful hearts for many years. I have to say it again- this is my favorite song on this album! Don't miss it!

You may have noticed that I haven't said much about vocal style or musicianship and production. Don't worry; this is one of the best musical productions to ever come out of the UK worship leaders. Producers Jason Halbert and Dwayne Larring, of the original Sonic Flood, made sure the project shines with tasteful arrangements (using power and understatement effectively), excellent instrumentation and well placed vocal styling. Not to diminish the superlative work of production done on this project, but the songwriting on this CD is so stellar it remains its backbone.

Back to the songs, tracks 5 and 6 continue the renderings of Hughes' psalmist heart on the music canvas. 'If There's One Thing' is a medium tempo song that builds into a commitment song of our devotion to God. 'Redeemer' returns to a soft tone, and to contrasting the worshippers heart with the vastness of the One being worshipped. Ringing in the song 'Day After Day', the seventh track is another one of my favorites. This song is a wonderful prayer/cry with another tremendous melodic chorus. Some will say it is too simple, too repetitive. Too bad for them! I love this song, and it makes my list of songs to do in church. Track eight is a fun tune, continuing to weave great lyrics with infectious music and melody. When I first heard 'Jesus, You Alone' I was immediately remind of 'That Thing You Do' musically. It is a bouncy song of God's glory, but with good lyrical weight.

The next song retreats back to simplicity and intimacy with 'Never Lose the Wonder' only to return to another wave of musical exuberance with 'The Eyes of My Heart', which in turn is followed by the calm devotion of 'My Jesus, My Lifeline'.

You don't have to be a fan of UK worship music or Tim Hughes to simply love this album. The tremendous offerings of songs on this project will wash over the Church worldwide, as we praise God. While listening to this CD in my car stereo (I listened to this CD no less than 30 times through!), I was able to get to know the songs personally and am now ready to begin incorporating them in my own local churches worship services. But I have said enough, the best way for you to believe it for yourself is to listen online to the CD! Get yours soon- this is a great CD!

Product Link Here I Am To Worship - Tim Hughes

Reviewed by
Kim Gentes

In the mid-90s a number of local musicians, songwriters and worship leaders in the UK began to flourish and influence not only their nation but the world in bringing new songs to the church. From that stream of praise and worship comes possibly the most influential songwriter over the last 20 years within the modern worship movement- Matt Redman. Redman's songs have been used across the globe, and in virtually every Christian denomination. They have been recorded by countless other leaders, artists and musicians. And while Redman shirks the notariety of his influence, there is scarecly a Christian musician or leader in North America that would not recognize his songs or his name.

Matt Redman was introduced to the North American church largely through the efforts of the music label WorshipTogether, a brand of EMI Christian Music in the United States. The WorshipTogether moniker was comprised largely of songs and recordings from UK leaders and songwriters that were connected with Kingsway Music.  As part of that effort, WorshipTogether introduced Delirious?, Matt Redman, Tim Hughes and others to a broad church and consumer music market from 1998 until the present. While some of Delirious? (Martin Smith) and Matt Redman's songs were making their way across the pond before the EMI marketing effort began, the impact and effectiveness of the WorshipTogether brand, recordings, marketing and website was nothing short of phenomenal.

To review either of Matt Redman's first two albums seems a bit misinformed, as both albums were released first in the UK and both contained slight modifications before being introduced to the US market. The first was a merger of UK releases (songs from UK releases "Passion For Your Name" and "The Friendship and the Fear" became  the US version of "The Friendship and the Fear"), the second was simply a name change (UK "Intimacy" was released as "The Heart of Worship" in the US). In any case, we review each album here.

Redman's first recording that released in the US was "The Friendship and the Fear" in 1998 (released through the EMI StarSong label).  This album was chock full of singable and upbeat songs that contained a rock driven sound with fresh rhythmic sensibilities such as Believer and Better Is One Day. But it was mixed in with intimate melodic classics that have become staples in churches worldwide- such as I Will Offer Up My Life and Once Again. Each of these songs resonated across the North American church, but probably none more so than the Better Is One Day track, which found wings on many other recordings including the phenomenal explosion of the Passion youth gatherings and their associated recordings, whose breakout album in 2000 not only included the song but was entited "Passion: Better Is One Day".

After establishing a strong presence in the church with "The Friendship and the Fear", WorshipTogether released another album by Redman a year later. In 1999, the WorshipTogether label released what would become, at the time, Matt Redman's signature album and song in "The Heart of Worship" (it would later be eclipsed only by his most popular song, Blessed Be The Name). Like Believer on "The Friendship and the Fear", this new album included another celebratory praise hit with Let Everything That Has Breath. But it was the title track that seemed to find its way into hearts across not only North America but the world. In what Redman would later explain as a response to God's corrective to him (as part of his serving in a local church worship leader context), the lyrics of the song The Heart of Worship focused on repentance and Godward devotion intended for worship rather than the music in which praise or worship may be delivered.

These two albums were not only the introduction of Matt Redman as a worship leader and songwriter, they were the seedbed of dozens of other recordings both in North America and abroad. The songs were just the first of dozens that Redman would continue to write, which eventually placed him as one of the most prominent church songwriters in the last 100 years.  And he continues to write the songs of our modern liturgy, even today.  These original albums are still available and are a great archive of wonderful songs usable for churches.

Product Links:

The Friendship And The Fear - Matt Redman (1998)

The Heart Of Worship  - Matt Redman (1999)

Review by Kim Gentes

When Kingsway songs and albums from Matt Redman, Delirious and Tim Hughes began flooding across the Atlantic to the US, it was a blissful time of music discovery for many in America. Here was some progressive rock sounds that held values of praise and worship as their core lyric content. During that time, there was no more surprising and innovative album that "King Of Fools", the sophomore release from Delirious?.

On initial introduction, many churches who had been receptive to the "Cutting Edge" project and Redman's "Heart of Worship". found "King of Fools" to be too progressive for their local church music repetoire.  And indeed it was lightyears ahead of most chorus-filled praise and worship band repetoires or music skill. The layered U2-esque and washy sounds of multi-electric guitar arrangements, added to pop vocals of Martin Smith and intricate rhythmic progressions of drummer Stew Smith were for full-on, radio-ready bands, not Sunday morning ensembles.

That said, "King of Fools" was one of the absolute best musical treatments of the modern worship genre.  While the songs were slower to gain acceptance from general Sunday morning church, youth groups were quick to begin using this amazing cache of songs. The slamdunk favorite of this album was Deeper, which was a plaintiff cry with great pop motif, infectious melody and musical groove.  Youthful lyrics that hinted whimsically at Biblical allusion while being passionately a human prayer. Deeper, along with White Ribbon Day, where both released to general market UK as singles and reached #20 and #41 respectively, a huge landmark.  This was not a tiny dent in a Christain market- it was the beginning of a legitimate rock band in the general UK market, making chart noise with blatantly Christian lyrics, even worship lyrics.

Beyond the commercial, radio and industry accolodates, listening to Delirious? on their "King of Fools" release is such a blissful journey, it became a long time favorite of mine personally.  In this 13 track epistle, Smith and co., communicate with some of the best written lyrics in all of Christian pop music. Combined with Stu Garrard's guitars, ethereal and crisp keys of Tim Jupp, brilliant drumming of the aforementioned Stew Smith, and the extended range of Martin Smith's haunting vocals, every track on the album is a keeper. No kidding, really! There isn't a single bad song on this project. What is beautiful about this album is the range it crosses in its progression. From wall of sound, washing reverberations in Sanctify, Promise, King or Cripple to pop-anthems like Deeper, Revival Town, Louder Than The Radio and History Maker to gallant balads like White Ribbon Day and August 30th  to pensive prayers of Hands of Kindness and What a Friend I've Found.

It is almost impossible to pick a favorite tune on this project, but if forced to, I can list my top 3 songs from this album: Deeper, White Ribbon Day, and What A Friend I've Found. These three very different songs reflect the skill, lyrical genuis and musical diversity that Delirious? brought fresh into Christian music and birthed in the modern worship movement.

If you don't have this album, get it. It's that simple. An unbelievable album in every respect.

Product Link :  King of Fools (MP3 Album) and King of Fools (Songbook)

Review by Kim Gentes