Kim Gentes

If you're like me, you have friends who regularly share with you of their latest discoveries in worship and music. Several months ago, one such friend, introduced me to a song called 'Here I am To Worship'. The song was clear, inviting and sparkling of truth. The more I listened, the less I listened and began to worship and bow my heart to God. Such was my initiation into the sounds and songs of a worship leader Tim Hughes, from Watford, England's Soul Survivor movement. Now, the album from the young Soul Survivor worship leader is released in the US and abroad. And thankfully, the title track ('Here I Am To Worship') was just a hint of the great collection of praise and intimacy that earmarks this terrific project.

As many of you know, my most important criterion in reviewing a praise and worship album (IE. an album for the Church to use in devotion) is the quality of the songs. In that area, 'Here I Am To Worship' is the finest album to come from the UK since Delirious? released their Cutting Edge double CD collection in the US. Most immediate comparisons for this album will go directly to label-mate Matt Redman's 'Friendship and the Fear' and 'Heart of Worship' projects, and rightly so. Tim Hughes garners musical and lyrical style out of the same cloth as Redman, no doubt about it. But comparisons are really not needed to appreciate this album, as it stands squarely on its own merits of terrific songwriting, great production and fine vocals! So let's dive in and look at the songs!

The project kicks off with 'Maker of All Things', a guitar driven song that is definitely a 'freeway hit' (you know what I mean- you will be rocking back and forth singing this song as you roll off to work on the freeway). Not only is the music upbeat, but also the lyrics and attitude of this song truly elevate the heart as you find yourself lifting up the Lord. I really appreciate the album starting this way, making God the context of our music through clearly praise pointed lyrics. In fact, you won't find the word 'I' in this introductory track at all; a tendency critics of modern worship music have said was a shortcoming of many projects. As a writer Tim Hughes does great service to the Church with this first song, making us all focus just on Him through God-ward lyrics. He also does not allow us to worship in isolation by crafting language for the whole Church and joining us all to worship by using pronouns 'we', 'our' and 'your people' through the song. Rolling along, the album ebbs musically softer through tracks 2 and 3. 'May the Words of My Mouth' begins by borrowing from Psalm 19, and resounds with personal devotion and commitment to 'follow You' and 'give my all to You'. Stuck between a great opening track and the title song, this track could get lost, but I encourage everyone not to let that happen. And that goes for this whole album- every track on this project is worthy of its placement on an international release like this.

On to the third song, we come back to 'Here I Am To Worship'. In my opinion, this song is so infectious, so truthful, and so balanced (by both words of heartfelt longing and beautiful lyrical sculpting of God's character) that it will become the most widely used song out of the UK worship stream since 'I Could Sing of You Love Forever'. In the manner as David did in the book of Psalms, this song attains the same amazing juxtaposition of personal prayer/cry and artful etching of God's awesome attributes. And that is the signature of Tim Hughes writing on almost every song- a constant contrast of our emptiness and God's greatness. You just have to look at the chorus of this song to see that clearly:

Here I am to worship
Here I am to bow down
Here I am to say that You're my God
You're altogether lovely
Altogether worthy
Altogether wonderful to me

What else need be said? If you aren't doing this song yet in your times of corporate worship, you will be soon.

Arriving at 'I'll Always Love You', the fourth track is easily my favorite. With the best musical hook on the album, this song says what we all long to say:

I'll always love You
I'll always sing to You, Jesus
I long to worship You in Spirit and in truth

The simple lyrics, great melody, and excellent power-chord progression of this chorus-based song will be bouncing around the halls of youth groups and youthful hearts for many years. I have to say it again- this is my favorite song on this album! Don't miss it!

You may have noticed that I haven't said much about vocal style or musicianship and production. Don't worry; this is one of the best musical productions to ever come out of the UK worship leaders. Producers Jason Halbert and Dwayne Larring, of the original Sonic Flood, made sure the project shines with tasteful arrangements (using power and understatement effectively), excellent instrumentation and well placed vocal styling. Not to diminish the superlative work of production done on this project, but the songwriting on this CD is so stellar it remains its backbone.

Back to the songs, tracks 5 and 6 continue the renderings of Hughes' psalmist heart on the music canvas. 'If There's One Thing' is a medium tempo song that builds into a commitment song of our devotion to God. 'Redeemer' returns to a soft tone, and to contrasting the worshippers heart with the vastness of the One being worshipped. Ringing in the song 'Day After Day', the seventh track is another one of my favorites. This song is a wonderful prayer/cry with another tremendous melodic chorus. Some will say it is too simple, too repetitive. Too bad for them! I love this song, and it makes my list of songs to do in church. Track eight is a fun tune, continuing to weave great lyrics with infectious music and melody. When I first heard 'Jesus, You Alone' I was immediately remind of 'That Thing You Do' musically. It is a bouncy song of God's glory, but with good lyrical weight.

The next song retreats back to simplicity and intimacy with 'Never Lose the Wonder' only to return to another wave of musical exuberance with 'The Eyes of My Heart', which in turn is followed by the calm devotion of 'My Jesus, My Lifeline'.

You don't have to be a fan of UK worship music or Tim Hughes to simply love this album. The tremendous offerings of songs on this project will wash over the Church worldwide, as we praise God. While listening to this CD in my car stereo (I listened to this CD no less than 30 times through!), I was able to get to know the songs personally and am now ready to begin incorporating them in my own local churches worship services. But I have said enough, the best way for you to believe it for yourself is to listen online to the CD! Get yours soon- this is a great CD!

Product Link Here I Am To Worship - Tim Hughes

Reviewed by
Kim Gentes

Praise Adonai! What a way to start this incredible album. I love the journey that this new project, from Integrity Music, takes. One of the unique things about this album is that it is the first album in a very long time (perhaps since 'Father's House' from Brian Doerksen) that seriously considers the listener in the song sequence, laying out a well developed progression of intimacy, drawing us into the courts of praise and worship of our God. But this opening cut is far too overwhelming to worry about the rest of the album... so, let's 'Praise Adonai!'

The writing talents of Paul Baloche come to us in the ebb and flow of the country/rock instrumentation that is this well crafted call to worship in 'Praise Adonai'. Inquiring of us with the rhetorical phrase 'who is like Him', we see Jesus as:

The Lion and the Lamb
Seated on the throne
Mountains bow down
Every ocean roars
To the Lord of Hosts

Like the Psalms and Proverbs, Baloche proclaims the unchangeable paradox of God's character (the Lion and the Lamb), pushing us into the view from the heavens. Then, as he surveys the kingdom from this view (Seated on the throne), we see such power, in profound simplicity of word, that our hearts and voices launch unstoppably into the chorus, 'Praise Adonai'. Giving away any more of the lyrics would simply script the entire song for you, since it is as terse as it is powerful. The unfortunate thing about this song is that it has such appeal it threatens to keep many a CD player on long term loop, keeping the listener away from the other gems of this well produced studio project.

Moving on to the second and third songs, Paul Baloche teams up with Ed Kerr to pen some upbeat songs of great praise expression. These songs connect musically and lyrically. The lyrical connection is made in that both songs detail a modern day chorus for Psalm 47, in which we see God ascending amidst the shouts of people and sounds of music.

And if God is indeed enthroned in our praises, then the delight of His presence being made manifest in our times of celebration are made all the more evident through 'I Love To Be In Your Presence', and 'Sing Out'. Both these are earlier works for Baloche, and they get a well deserved update in production with these tracks.

Though this project is a tribute of sorts to Baloche's prolific songwriting, it could have just as easily been a thematic album, showing how an extended worship and praise time can be woven into a thoughtful trek of devotion and exaltation to our God.

Entering into 'Falling', 80's fans will recognize a page from the softer musical side of the sound of 'the Police'. Another collaboration, this song is co-written with UK writer Brenton Brown, whose contributions have been on such noted albums as Vineyard's 'Winds of Worship 12- Live from London' and 'Hungry'. My guess is that 'Falling' was something of an experiment, but instead of flopping into dead CD space, this song 'Falls' effortlessly into the ears of God, as genuine adoration expressed in love ballad style. Very nice! When we come to the song 'Above All', the theme is pure adoration, where simple arrangements replace guitars and drums with piano sounds and string backgrounds. It is simple, and powerful.

The trek of well-worn songs hits full stride with 'Revival Fire Fall'. The CD cover copy says this is 'funky, folksy', but I call it just intense! Not since the searing fiddle backdrops in 'Praise Adonai' has our tour taken us to such powerful undertones (and oh, btw, just thinking about 'Praise Adonai' again, should be enough to make you turn back to it for another listen). The contrast, however, is that while 'Praise Adonai' creates its energy through subtlety and understatement, 'Revival Fire Fall' simply pummels you with burning desire to participate in seeing God's revival fire fall!

I am sure you are wondering why I don't discuss the title track of this project, but it hardly seemed like much more could be said about Open The Eyes of My Heart, that the church at large has not already said. With the worldwide acceptance of that song, you hardly need the 3 cuts of it on the CD, though you certainly won't find it unlikable.

There is much more to this CD, but without ranting on each of the considerably exceptional songs on this project, I want to get right to my favorite song of this great collection- 'Celebrate the Lord of Love'! Like 'Praise Adonai', this song builds its arrangements using superb dynamics to propel you into abandon. By the time this song is vamping into the key change, you are lifting up your praise with outstretched arms and dancing around your kitchen, I guarantee it! Don't miss this song, or you will miss my #1 reason for playing this CD for hours on end in my CD ROM drive.

There will definitely be something everyone will like about this CD, but I guarantee you that a listen through the whole thing will be time in heavenly praise. The songs, the production, and the track sequence make this an easy selection for my Editor's Choice Award.

Product Link Open The Eyes Of My Heart - Paul Baloche

Enjoy! Kim Gentes

Crisp, clear and radiant--these are the inviting rhythms of Roger Hodges' best worship project to date, 'Big Big God'. Are you thinking of what it would sound like to have pristine sound production, knitted with completely rapturous melodies, all held together with incredible grit through honest vocals? Stop thinking, start worshiping--with 'Big Big God'!

Anyone who may have had the opportunity to worship in a meeting with Roger Hodges knows his approach is a one-way rocket to the courts of God. I have to confess something--I used to be of the opinion that truly great albums and songs would 'float' to the top, get picked up by the majors (labels), and make it to the masses. After the last two-and-a-half years of listening to stacks and stacks of praise & worship CDs, this just isn't reality anymore.

The rise of the 'indie' (independent) praise and worship projects has become a legitimate source of TOP quality resource and expression in that genre's music market. Sure there is a lot of 'fluff' put out by indies, but the truly great stuff is not only competing with the big labels, they are setting the pace in creative and passionate musical prayers and devotion. After indie projects like Langley Vineyard's 'the Well', Rita Springer's 'Created To Worship', and WaterDeep's 'Enter The Worship Circle', the water is gathering for this emerging stream of praise to become a torrent of the river of God.

And now you can add to that flow of God's praise, the rhythmic current of 'Big Big God'!

This CD belongs in that category of top notch projects. 'Big Big God' begins its spin in your CD-ROM with 'You Are,' a power-ballad that throws out the rules and rushes straight to God, speaking passionately to the Father. You will fall to your feet in surrender to Him, as you sing out:

And You are the air I breathe
And You are the song I sing
And You are redeeming love
I trust in You alone

You will be tempted to lock on to this first song and let the [repeat] function hold you here for hours! But that, my friend, would be a big, big mistake. The six minutes this track plays for will seem far too short to anyone who finds themselves on the floor, pouring out the heart to the Father.

Moving on to the next song, Roger calls us to 'rise up' in the military/march-girded rhythms of Psalm 33. I really enjoyed this song, as the music and Hodges' voice invites us to stand in the light of God.

But the journey has just begun, and as the light, crisp strum of the acoustic guitar begins to swell into the title track song, you are swept back into a personal conversation with God. Thankfulness expressed across the breadth of God's character is a constant staple to this great album, which is a well balanced feast of lyrical devotion. Of course, there is a reason 'Big Big God' is the title track to this project--the song is as infectious as it is thoughtful. But if you thought this was just another well-scripted, studio produced session of nice songs. well, by this third song you have begun to realize this is much more. In 'Big Big God', Hodges begins his adding of joyful, creative and honest worship and praise 'spontaneous' moments. And apparently, once he gets started, he can't hold it back.

Throughout the rest of the album, Hodges makes no apologies for his obvious attack of enjoyment that lifts this album into a real praise and worship experience. The joy keeps on going in the boisterous 'You Are Faithful', where this rocket launches into some very nice musical placements by electric guitar power-man Lincoln Brewster.

You can't put much better talent on an album, and those haven't already heard Brewster's work on his self-titled debut (from Integrity Music's youth worship label Vertical Music) will be very pleasantly surprised. After a brief settling back, with Kevin Prosch-esque 'The Son Is Rising', the trip continues with 'The Lamb has Overcome'. This has the same straight-ahead lyrical and progression stylings as 'You Are', but this time points us to the returning of Jesus.

Just when you think you have things all figured out, 'All that I Want' is slight step off the trail, but most welcomed. This song provides good style contrast, and again with deeply heartfelt lyrics sung with actual passion (wow! Imagine that!). By this time you are pretty convinced that Roger Hodges is the real item--an actual worshiper who recorded what he actually would do in a live worship service setting.

This time comes to an intimate juncture with just voice and acoustic guitar (and a touch of oboe or synth patch) laying out the song 'You've Captured My Heart'. This intimate worship ballad is perfect, no other words for it. On the final cut, every instrument is pulled back except piano. Then, Hodges just lets it all come out- passionate prayer, covenant commitment, and loving thankfulness, with a beautiful backdrop of sensitive piano playing.

Quite obviously, this project earns our highest commendation here at WorshipMusic.com, the Editor's Choice Award. I actually struggled to find something wrong with this CD, listening to it for 5 continuous hours (a record for me with any CD). Maybe it was because the musicianship was impeccable. Maybe because the vocals are just everything you ever wanted to say to the Lord. Or, maybe it's because you can't help but get caught up in the praise and worship with this album--I am not sure of the reason, but this project is flat out excellent. Praise God!

Product Link Big Big God - Roger Hodges

Review by Kim Gentes

A while back, I was spending a little time listening to demos from various music companies and individuals.. doing that isn't the heavenly experience you might expect.. so many CDs, so little real worship, so many cliche songs.. then something ballistic happened- I listened to an incredible CD by a new group called "Sonic Flood".

It is just awesome! It has many songs I already knew, from Andy Parks' "In The Secret", to Scott Underwoods' "Holiness", to a couple of Martin Smith tunes. But these are not renditions for the faint of heart-- only groovin' worshipers will handle some of the arrangements of these songs. For those who already know and like Sonic Flood, or just love worship and long for a musical sound that is alot more edgy-- you must check this project out!

Now, here is the coolest thing about this album- it has a simple, yet worshipful (as are all of the cuts) version of Matt Redmans "Heart Of Worship". And that is the beauty and power of this CD- Sonic Flood didn't take themselves so seriously that they had to pummel us with every new song written by "sonic flood". Instead, they put their very considerable musical talents to bear on some already very well received worship songs being used by the Body of Christ. If I had to select a CD in the category of song selection, this project would be at the top. The only thing missing from this great experience? I would love hear this group live!!

oh ya- I almost forgot... some the songs are titled differently on the cover than you may know them as (IE. "In The Secret" is called "I Want To Know You", "Heart of Worship" is entitled "When the Music Fades"). Just a warning in case you look at the released CD and wonder where all those songs are that I told you about..

Product Link Sonicflood

Review by Kim Gentes

Refreshing, enthralling, and God-ward! That is the rapturous sounds of "Draw Near To Me", the independently released devotional music project from Scott Brenner. The CD is sub-titled "Intimate, devotional worship for your quiet time". This is the perfect by-line description of this project.

The lyrical content of the project is prayerful (I Want To Be Holy), scripture themes (Changed by The Mere Reflection), and sometimes direct scripture quotes (O God You Are My God). Simplicity is woven into these lyrics, giving the church gifts of excellent songs for devotion.

The purity and integrity of Scott's love for Christ comes through in his voice and music, as though you are sitting in a room with him and everyone is lifting up Jesus. Melodic and rich, the CD takes a trek of invitation (Longing for the Day) to prayer (O God You Are My God/ Psalm 63) to intimacy (In Silence I Wait) and finally thankfulness (Thank You Lord).

This CD is notably soft music, laying the heart and soul of Scott's prayer's before God with care and kindness. It isn't rushed, and it isn't loud- it is intimate, and it is soft. This CD certainly reminds me of his earlier work on the Vineyard project "Before You Now" (second half of that project). Yet, this project is even more pensive, more intimate.

The thing that made me fall in love with this CD was the music and the arrangements. And perhaps not in the way you might think! The power of this project was the simplicity and care that was taken in giving it lots of strength with a few instruments. Using the guitar, keyboards, a cello and oboe, this project stays uncluttered- and it SHINES! Those of us used to listening to praise and worship music are used to the ever-present bass guitar- but not here! This CD is the first indie project I have heard that absolutely does away with the bass guitar and thrives because of it. I know this might sound strange, but the breadth of instrumentation with just the oboe, cello, guitar and piano give a wonderful diversity in relative simplicity. The occasional visit of electric guitar and some drums and percussion (all without a bass guitar present) make a few songs accented perfectly for some variety to the ear.

You will be turned toward the Lord immediately as "Longing for the Day" begins this project off, and we share an invitation to Christ for His return. Each song leads effortlessly into the next on this whole project. The fourth song (and title track), "Draw Near To Me", is a wonderful invocation song calling out in the theme of the Davidic devotional prayers for the Lord to have our daily lives from the early morning to the "never-ending". The tenth track, "We Cry Glory", is my favorite song of this CD. It's pacing, vocals and instrumentation become so rich (yet well spaced) it reminds me of the intensity of purity and precision of devotion that I first heard from a John Michael Talbot album- different musical framing, but deeply and similarily focused. The CD ends on a unified praise and thanksgiving that brings up such a heart of gratitude, you will find yourself singing "Jesus I Love The Way You Are".

This CD get's my "Editor's Choice" award from Worshipmusic.com.

A great project!

Product Link Draw Near To Me - Scott Brenner

Review by Kim Gentes.