Music Reviews (by Kim Gentes)
Back in the mid-90's Kim began writing impromptu reviews of church music CDs (worship music) so that people who were looking for CDs would have an opinion from someone who is also a worship leader and is garnering music for local church use. Up to this point, this was rarely something that was done, because church music was revered as sacred and it was thought that any offering of that sacred worship shouldn't be criticised or evaluated. In fact, Kim wasn't as much a critic as he was an evaluator, helping people find what fit their church. He began posting his reviews on line in a email discussion forum, called the Worship List (website). After a while, when he helped launch Worshipmusic.com, he continued that same concept of trying to help other local church worship leaders and musicians find music that might be applicable to their situations. The reviews continued to be a part of that. Worshipmusic.com went on to grow a staff of writers that would add many more reviews to the collection they have, but Kim continued to participate as a key reviewer. This journal logs all the reviews Kim has written on worship music CDs and projects.
Kim's reviews of CD projects of worship music includes independents, label and main stream recordings, but all having to do with worship music.
Entries in music (72)
10,000 Reasons - Matt Redman (2011)
With a jubilant song of freedom, Matt Redman leads us into his newest album "10,000 Reasons" on the wings of the high-energy declaration song "We Are The Free". This is about as upbeat, power-chord driven, high-tempo as I've ever heard Matt Redman- and he doesn't waste it on bad lyrics. "We Are The Free" is spendid lyric writing, coupled with the hard driving beat and a passionate voice it makes for a great introductory track.
As we look through this entire project, Redman has offered up what may be his best complete project of new songs ever. Ever? Really? Yes, really. No one knows what a record and its songs will do before they make their way to the church. In fact, in Redman's case, it would have to be said that some of his most popular songs have risen over time, and through the coverage of others artists (Blessed Be The Name comes to mind especially in this regard). After "Friendship and the Fear" and "Heart of Worship" back before the turn of the millenium (ya, I know, wow!) I had to wait until "Facedown" to enjoy an album from Redman's new songs. Was it because he didn't put out good songs? No. He did, just not one great project with a large batch of great songs, great production values, and that energetic live presentation with that extra "something" that can only come from a true time of worship captured on a recording for worshipers to engage with later.
Well, I am here to say- "10,000 Reasons" delivers it all. Great songs, great production, and engaging, worshipful live experience. So let's get on with it.
Track two is a trademark three section song, where a steady A/B pattern is established, then an equally infectious melody line is added for a C section about 2/3 through the song. "Here For You" tags "We welcome You with praise" and lifts the entire song, and all of us along with it. A keeper for the Sunday setlist for sure.
Track three is almost a clone of the format set up for track 2. "Holy" has a verse/chorus happening just well and strong. Then another mid-section is added for contrast. But this song has an extra chorus that is yet a 4th part- close enough to fit as the chorus, vamping on strong major chords to start (instead of the minor chords the chorus 1 begins with). The entire song is overwhelming and humbling to anyone involved with it. It works well, and again is a great song for the Sunday selection.
And so it goes, from "10,000 Reasons/Bless the Lord" (the song) to "Fires" to the droning "Never Once" to the anthemic "Where Would We Be", the driving "We Could Change the World", the glorious "Magnificent", the straight pop/rock "O This God" and finally the piano ballad "Endless Hallelujah".
This album is full, I mean FULL of excellent songs. Well written lyrics, excellent musical hooks, great production, and the gift of one of the best song writing worship leaders in the last 50 years who has obviously poured a ton of work into his craft for this album. Of course, literally every song is a co-write, a testament to the fact that Redman (and most worship writers) have finally figured out that the best songs are made brilliant with co-writing. Jonas Myrin fills in for a bulk of the co-write credits, but familiar names of Matt Maher, Jesse Reeves and Jason Ingram also chime in along with relative new-comer Tim Wanstall.
It would be almost impossible for me to select a favorite song without trying to predict which song will become the next huge song. I absolutely love the first three tracks "We Are The Free", "Here For You" and "Holy". But I would have to settle with "Magnificent" as my standout track. But a dozen people will come out liking a different list each.
You might have checked out of worship recordings for the last few years. Check back in. This album is that good. Five years down the road, two or three of the songs on this recording will still be rising in the church. If you are a worship leader looking for fresh, well written songs, listen to this entire album. You will find something that will fit your church. Great stuff. Thus far, this is the best album of 2011, hands down.
The entire album, songs, audio and chord charts are already available for subscribers of the WorshipTeam.com worship planning system.
Worshiping Him
Kim Gentes
Weathered / Sheri Carr (2011)
Well, I just got the new album, Weathered, from Sheri Carr. Wow! This is a brilliant new look at Sheri's music. With perfectly contained arrangements that highlight her stellar voice these are wonderful new songs. You haven't heard Sheri like this before. The EP has a pop / country / light rock feel that tells thoughtful stories of real life.
Staying away from cliché lyrics, she shines as an artist and songwriter in this new 5-song EP. Sheri packs so much life and hope into this album it will rip your heart out and hand it back to you with a warm smile. For the first time, Sheri uses her full range as a vocalist with soft, low tones that waft in a pensive melody to arias with her signature, full-strength, vocal surge. Songs Home, In a Blink, and One Song are where you hear this most, each having a beautiful expanse of dynamics that are bridged internally with effortless perfection.
Choosing a favorite song was initially a toss up between the melodic singability of the brilliant In a Blink and the perfect understated draw of One Song. But the more I listened the more I fell in love, ironically, with Find Love. This song is such a heart-true ballad that you can't listen to it without realizing the questions it poses and challenges it makes are the profound kind of writing and performance that make great music the language of all our hearts. Well done, Sheri.
Not a "corporate worship" album per say, this becomes Sheri's debut as a true "artist" beyond any of her work in the past. Radio perfect sensibility sings on every song. If you have a chance to get this album, get it. If you have a friend who is at a place of needing encouragement in life, you might not find a better gift. Seriously. Check it out! It will lift your heart and give you hope. I'll say it again- brilliant!
Product link: Weathered / Sheri Carr
Review by Kim Gentes
The Lord Is My Shepherd / Jeremy Riddle - single /Review by Kim Gentes (2011)
As I have mentioned before, when we do reviews it is normally only for full album projects, not singles. But we must make exception where it is due. And with this new song by Jeremy Riddle, trust me friends- it is due.
The song "The Lord Is My Shepherd" is a new single just releasing from Vineyard Music. I discovered this new song at WorshipTeam.com (which adds all the new music from Vineyard and most other worship publishers as they release). If you aren't a WorshipTeam.com member, you can find the song on Vineyard's site at Vineyard Resources. Let's talk about this new song.
The song is obviously a lyrical reference to Psalm 23, and the chorus relies on this image of God providing for us and bringing us to safe waters to satisfy our souls. The chorus, using this sharpened theme from David's psalm, is melodic, infectious and even rhythmic. Lyrical purists will note the 3rd to 1st person voice change that happens throughout the chorus, though it remains thoroughly first person for the rest of the the song. This is normally a faux pas for songwriting, but it works in a unique way here to reference the classic rendering of the scripture ("The Lord is my Shepherd") giving it an anchor to our tradition, and as an implied voice to call others to notice the provision of God.
The Lord is my Shepherd and I'll want for nothing
You lead me to water for You know I'm thirsting
And I I'm only satisfied
By You by You
Riddle's songwriting here is marvelously in stride with the tension of reality- that we live in the knowledge of God's provision and the need for it to satisfy the very human thirst of our souls.
The music and the lyrics are punctual and poignant, capturing the essence of what it means to both need God in the "pain in my life" and to declared to Him that "You are there". But ultimately, the song returns to rest in God not only providing the provision, but being the provision, as Riddle sings "You are the water for my soul".
I will say it clearly- this is Jeremy Riddle's best song. It is blissful, articulate writing, and wonderful soaring music. Not contrived, the song lives in itself and doesn't try to solve anything beyond the scope of its theme. Perfect.
Likewise, the arrangement and execution by Jeremy is dead on. The music doesn't climb off of the song and overcome it. Some of the previous tracks on Riddle's other albums became so enamored with Jeremy's souring vocals they would run roughshod over songs which had no right being "wall of sound" anthems. That does not happen here. His voice is first and it stays out front. He climbs to some extremely high notes and sings like he means it. This is Vineyard's best radio ready single- ever. If this doesn't climb past the radio popularity of Sweetly Broken, I will be surprised.
That said, I have one problem with the song- it is a great radio single. The notes of his excalamatory aria, especially on the second and third choruses, are brilliant but absolutely remove the song (in this form) from possible congregational use. This single is in the right key for congregational singing (G), but when Riddle explodes into his falsceto, he leaves all hope for this arrangement being used in local churches. Vineyard will need to produce a crisp arrangement for local churches to use this song, perhaps removing the extensive "by You, by You" throw offs that make this a great listening radio single.
Worship leaders, worshipers and musicians- check out this new song. It is excellent!
Available at WorshipTeam.com (for subscribers).
Also available for purchase at Vineyard Resources
The Lord is my shepherd! Yes, Lord!
In Him,
Kim Gentes
You Hold It All - New Life Church (2011)
A low pad hums... an electric guitar reverberates a layer of rhythm.. then a voice calls out
Who has stretched out the skies like a canvas
Who has scooped up the oceans with His hands
Who has measured the hills from the mountains You have
So begins the newest album from New Life Church and its arsenal of great songwriters, Jon Egan, Jared Anderson and Glenn Packiam. This time they are joined by the notable lyricist Mia Fieldes on several songs, with additional credits to several others scattered across the 12 track, 13 song collection of this project. And this is the immediately what is most striking about this new project- the lyrical strength of the songs. Music, while still remaining clearly artful, takes backseat to some careful thought taken to the art of lyric craft.
The project rolls on to track 2, where another example of painting with words is brushed on a song canvas of “It Was For Freedom” :
It's the heartbeat of God it's the rhythm and reason for love
The power of the cross is the beginning for all who are lost
One of the most compelling songs of this album comes with track 4 “Our Messiah Reigns”, where the chorus culminates a collage of Revelation 5 motif with unique reflection on the life and Messiahship of Jesus. This song melds into track 5 where a recitation of Isaiah 61 plants our work on earth as a continuation of Jesus call to preach the good news. Very nice thematic work here.
Track 6 “Great I Am” is one of those anthemic choruses that could last for hours, and it is wonderfully engaged in this live album.
My favorite song on the album is Be Thou Exalted, a beautiful co-write with Egan and Fieldes. The song is perfect with lyrics attuned to a brilliant balance of “old and new” as word choice and themes that bring together a ancient/modern sense of God’s transcendent character. The rendering of its live recording left a lot of weight on the congregational room sound, however, and the lead/melody becomes unfortunately washed out a few times. But the recording does show us the power of the song in a congregational setting, and its strength as a song makes it a likely candidate for re-tracking on other studio projects and other albums.
After Be Thou Exalted, track 10 wins as the “use this in church” favorite from this album. A newly written song by Jon Egan, “God Be Praised”, medley’s perfectly into the classic praise song from Lenny Smith, “Our God Reigns”. If you are going to try one song for Sunday morning- this is your ticket. I’d also encourage you to do the medley as they’ve set it up here. Even if you have to lower the key for your congregation, try this out. This medley is a perfect example of why I love it when actual worship leaders produce worship albums.. the essence of a real church community engaging in what actually works in a live setting.
The title track “You Hold It All” rounds out my selections of top songs from this album. This album is clearly a live project, owing much of its appeal to the experience of the recording and the corporate joy of bringing such praise and worship in a gathered setting. While the musicality of the project feels like was subdued (relative to past releases from the same group), the project as a whole benefits from the focus on maturity in lyrical development.
If you are looking for some new gems for church worship, I encourage you to review the songs I have noted here. There are plenty of other tracks on the project that might resonate with you as well, so don’t take my word for it-- listen through the entire project. Well worth getting the entire mp3 album online, in my opinion.
blessings
Kim Gentes
Level Ground - Brian Doerksen (2011)
[stop for a moment. quiet the noise. rest your mind. read this.]
Welcome to the place of level ground
Welcome to the place where grace abounds
We all need mercy
We all need mercy
This is the first verse of the title track from Brian Doerksen's newest music experience, entitled "Level Ground". Like most of Brian's projects, this one is a woven, purposeful story. In this episode of his sharing with the broader church, the overarching theme is grace. The liner notes intro this CD well, where Doerksen says:
"This project began as a simple idea... a picture of grace."
The songs and arrangements of this album reflect this vision well. Having watched some of the video tracks from the DVD, it also keeps the poignancy of the grace-filled intention. In fact, even the website of the project (on braindoerksen.com) has several powerful video clips of individuals who share stories of their lives that express the struggle of our humanity and the grace of God- be sure to watch those stories, they are amazing. That is the core of this project- seeing grace through another's eyes. Being kind enough to hear and enter into the narrative of another person's story. If you miss this, you may hear some great music, but avoid the reality of theme it is built upon- God's grace, changing lives.
That said, let's talk about the music! As I mentioned, this album starts off with the title track "Level Ground". The keystone in both theme and musical presentation of this project, Level Ground is a very singable and inviting song. Medium tempo feel and, though it is presented with layers of Celtic/soft rock fusion here, could fit nicely into virtually any modern styled service.
I really enjoyed the second song "The Jesus Way", which builds intensity as the arrangement lifts you into guitar-driven vamp that allows you stand and declare your allegiance to the "Jesus Way".
I also enjoyed the dynamic rendition of Tim Hughes's powerful "Everything" (a lyrical tribute that nods to St. Patrick's Breastplate prayer). Staring pensive and stripped down with just piano and light touches for effect, it launches into power chord driven chorus. But after the explosion of heart in the chorus, the return to the simple verse is understated and perfect, ending with a beautiful piano instrumental to guide the worshiper into a space of humble offering to God.
"Will You Love Me In the Winter" is a beautiful and heart wrenching musical inquiry, from the human heart to what can seem like a distant God, when our bodies and lives are broken and cold. Speaking of the dark night of the soul, languishing in the struggle of discouragement and pain of the body, Doerksen gives voice to our question- will God be there when I am most in need of him? Thank you, Brian, for writing a thoughtful lament for the church. Much needed. Well done.
A couple of other favorite tracks on the album are "Altar of Love" and "Whatever Comes", both songs are well done. My favorite track on the album is the anthem "Thank You for the Cross". Excellent lyrics, great presentation, and a powerful song!
This project is recorded live, and with the musicians in the midst of a congregation joining in the worship. Visually and audibly it is an engaging and grace-filled experience. I encourage you to take a listen to this album! I love it!
Product Link at Amazon: Level Ground [+digital booklet]
The entire album is also already included in the WorshipTeam.com worship planning system.
Bring us to the place of level ground, o Lord!
In Him,
Kim Gentes