Kim Gentes

Safe... for heaving your cookies.

Summary: If you absolutely must see a romantic drama, I suppose you won't be committing complete artistic and intelligence suicide by watching this film. But almost.

Full Review: You know the drill. It's date night. It's time for the little lady to pick out some romantic comedy or drama squeeze to appease the cupid-impulse that seems to be prodded back to life almost monthly by silly things like Valentine's Day, Anniversaries and birthdays. This time, she picks out the latest love story that most reminds them of some even more terrible love story from past theatre visits. "Oh no", you think to yourself, remembering back to The Notebook, "I can't be the only guy in the theatre again, with all those weeping women crooning over a sappy plot." 

But you know what? You love this woman. You aren't going to sit by and let some salute to machismo keep you from showing her that she is worth a couple of hours of humility just to be by her side. So you muster up your courage and face it like a man.

"Damn it, Jim", you think, "we're putting the engines at 110%".

So off you go, driving like mad to make the movie on time. You get there. The parking leaves you about 16 football fields away from the front entrance. You sprint ahead to get the tickets. She walks calmly to the theatre entrance. You wince ever-so-slightly as they rake you for $23.00 for two tickets. You smile and let your sweetheart go sit down in the theatre while you take another beating for a small bag of stale popcorn (that someone had stored in a garbage bag, no less) and watered-down soda. After rushing into the theatre, you realize you aren't late at all. In fact, your slight happiness turns sour after 25 minutes of previews that play after the supposed start time of your feature film.

Finally, it starts. Queue the opening scene. Abused wife running away from terrible home life. Escape to stereotypical "little-town" on the Carolina coast. Start new life. Find tall, handsome, single dad who is raising two kids- and who somehow seems to know less about kids than the beautiful, run-away wife who never had kids. The whole thing unfolds like the seeming clockwork of a widget factory from the 1950's postwar industrial machine. One shiny, predictable romance coming right up!

You enjoy the odd cutsie line, laugh at the two or three well-placed chuckles, and smile at the real love of your life sitting next to you, knowing that the agony and pain of this scriptless, thoughtless film will be over soon. Even though the romance movie was corny, you feel like you have dodged a bullet. You might even give the film a "C-" rating just because your sweetheart liked it and you didn't completely convulse through the entire film (as you did with The Notebook).

And then it happens- the most stupid, idiotic, half-baked, tag-on ending you've ever seen. Some marketing whiz who can't be bothered to write a real book or movie script thinks they will throw a "hail Mary" in to try to make this movie about something deeper, more important. But their attempt at quasi-spiritual transcendence is so inane, so inconsistent to the plot, and so unbelievable as any real art, it makes you want to tear your jacket and bite through the plastic arm of the chair that you are sitting on.

For those who don't escape seeing this movie from just plain old common sense, (or because you think that seeing "Safe Haven" will be a requirement for your love life) I have just one recommendation- leave after the appropriate people are rescued and the story seems to be happily concluded. Don't watch the last frames of this movie where the man gives his beauty a letter. It's pure BS. You've been warned.

For parents, the danger in seeing this movie is less about the offensive material they will see- though there is threatening behavior and violence- than it is about the questionability of any parent who would allow their child to see such dumb film making. Heed the movie's MPAA "PG13" rating, if for no other reason than limiting the damage to our future artisans in the next generations.

Amazon DVD Link: http://amzn.to/VBTDl5

Review by Kim Gentes

Inspired. Well acted. Thoughtful.

Summary: Heroic lives can sometimes turn into schmaltzy stories when Hollywood gets a hold of them. This is the fear I have whenever I see a movie that says it is a "true story" or "inspired by real events". "Unconditional" is a movie whose preview warns you it is based on a real life. But rather than retreat into a script of stereotyped plot mechanisms and clichéd character lines, this movie soars. It is a film about life and love that doesn't rely on chapters with romanticised epigraphs of why life really matters.

Full Review:  Samantha Crawford and Joe Bradford (played by Lynn Collins and Michael Ealy respectively) are two adults whose lives have re-intersected after having been apart since childhood. The stories of their intervening years were markedly different. Joe's life was a redemptive story of "meeting God in prison" that led him to a life of serving at-risk children. Sam's life was of the childhood artist whose idyllic adult marriage and young adult experience turns terribly tragic with the death of her saintly husband.  The two main characters had grown up as best friends in grade school, but after drifting apart beyond childhood, are reunited by a seemingly random event in which their paths cross again.

Once reunited, Sam and Joe learn about each other's lives and it is in this context that the movie unfolds. The story told is both for their learning and ours. Because this is a film of tragedy turned to redemption, it can be easy to expect, and in turn dismiss, the impact of its virtues as tediously moralistic (or worse, religious).  Yet, "Unconditional" doesn't run aground of trite "pop spirituality" as a plot device to rescue our characters from otherwise missing important themes.  Collins and Ealy play their parts with finesse that provides their characters with personal warmth contrasted by broken humanity. You enjoy the story as it unfolds. You grasp the tension of their narratives. You are brought into the plot and find yourself engrossed in the idea that hope may actually win the day.

As a Christian, I have always been interested in seeing quality art and media that reflected personal glimpses into real faith. But I, conversely, have seen so much half-hearted, poorly-produced modern media (done in the name of Christian values) that the potential of a strong story is lost in a schmaltzy presentation done by sub par participants. Let me be clear, "Unconditional" is the first film I have seen that has modern film chops while exploring hopeful, spiritual possibilities. It's not a hackneyed "Christian film". And thank God.

Parent-rating wise, the film has some scenes and concepts which are disruptive for kids below 10 years old, though it's almost certain nothing here would be shocking to kids who have watched any prime time TV. The MPAA rating for the film is PG-13, primarily for some brief violent scenes and themes. I won't go against that rating. It seems apt, if not conservative.

Are there momentary pauses of heroism and sentimentalism to bask in? Yes, but none are too long or unbelievable and all fit the story. In short, the story and acting are so intriguing and delightful they center the gravity of the film to its characters, keeping it well grounded. The direction and visuals are given both well done. Poor cinematography and effects are the points in which other films with low-budget or weak leadership often bleed out on a film- you see none of that in "Unconditional".  This is the first time, in a long time, that I've been emotionally engaged in a movie and not felt guilty for it- this story has the ability to grip you.

I strongly encourage you to consider seeing this movie. It may be warmly emotional, but it forecasts the movie style and expectations well in both the previews and the promo copy script. I highly recommend "Unconditional!" Go see it!

Movie link: http://unconditionalthemovie.com/

Review by Kim Gentes

Romance that happens just once every four years.

Summary: In a genre that brings us the very definition of sappiness, "Leap Year" breaks ranks with a surprising, witty and artfully wholesome film that will absolutely win for a date night. And the biggest surprise will be that the guy will actually enjoy watching this film.

Review: Once upon a time romance movies were a script so predictable, that the price tag at the box office was the only thing to remind us that there was supposed to be value attached to this art form.  In recent years, graphic language and scenes replaced good romantic tension as a crude substitute for the film ethos.

Leap Year crests the new year with a brilliant romantic comedy that will still warm your heart with a slightly predictable story, while riveting your attention with an eclectic and engaging cast.

A number of the "professional" critics dance with their angry hammers on this film- it is just too clean for the Hollywood banter to believe it could relate to "real people"- since the film shows no sex, and has virtually no offensive language.  The story is obvious and clear. You and your date will know what is going to happen, perhaps except for the last 5 minutes. But that is the point- this story was meant to warm and encourage, not be a gritty or esoteric "reality check".  But the couple that discovers one another in this story is the focus of it, not the story.  Two very adept actors here, Amy Adams and Matthew Goode, have genuine spark and nuance to their dialog.  There are some stock laughs, but also enough odd twist humor to keep it fresh.

Guys, you don't have to like romantic comedies to see this film- you will enjoy it anyways. If tonight is a night to escape and enjoy, and cuddle up with your date, then see "Leap Year". You'll enjoy it! The best light hearted, romantic comedy I have seen in a long while.

Amazon DVD Link: http://amzn.to/quGqMU

Review by Kim Gentes.