Kim Gentes

Today I had the opportunity to listen completely through the new album "Deeper" by Christine D'Clario. It was a real delight! D'Clario is joined on a few tracks by worship leader/songwriters Anthony Skinner and Leslie Jordan to put voice to these 10 excellent worship songs. But the majority of the project is led simply by Christine herself. D'Clario co-writes on half of the songs on this project and uses standout compositions from others such as label-mates Daniel Bashta, Richie Fike, and others like Paul Mabury (One Sonic Society), Israel Houghton and many others.

The album ranges from radio pop to piano ballads to modern revisit of a classic hymn. There is a deep and grounded sense of presence to D'Clario's singing of these songs. She sounds so comfortable with the music, with the lyrics, that one takes away a sense that these songs are personal reality for her- that these songs are not just "favorites" she is singing for Sunday morning "airplay", but she genuinely believes them and embraces them as her story. These songs are a listening joy and carry something of a spiritual peace as you join in with them. 

Perhaps it is the steady, but subdued pacing of the songs and the arrangements, but this album is powerful, spiritual and deeply worshipful. Rather than forcing some theme or topic with over-arranged music and thunderous, complex instrumental assaults, D'Clario's voice is the focus here. Producer Paul Mabury scopes this project well, holding in the electric guitars, keeping the programming and rhythm compact and well-paced, and returning to the simplicity of piano and simple beats to frame the worshipful arias of D'Clario's sincere expressions.

One could sit down to listen to this album and not get back up for hours. It is captivating especially in its pensive, worshipful moments. Favorite songs for me were ballads Magnified (track 2), Pursuit (track 3), and Faithfulness (track 5). Strangely enough, I would venture to guess that "Arise" (track 7) will be a favorite for almost any church looking for an upbeat declaration song, with its pop-beat, infectious chorus and contrast to the rest of the album. But I warn those who think they will just skim over this project by listening to a few songs- you are more likely to find yourself awash in the peaceful sounds of D'Clario's sublime ballads and settled into your chair in worship for an hour or more. And a good number of us could very well use that kind of interruption in our frantic and busy world. This is a very strong album with good songs, well-produced tracks and an enthralling voice of a worshiper anchoring it all.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

[Free Song Download "O My Soul" from Samuel Lane- see at the bottom of the review.]

With subtle motion and smooth tones begins the "The Fire". Like the starting crackle of a freshly lit hearth, this is how Samuel Lane begins to fuel the fire that is this new album from Vineyard Records UK. The intro song, "Take Me With You", doesn't rip a hole out of your speakers. Rather than pouring gasoline onto a bursting bonfire, it sparks, rumbles and gently ignites the rhythms, vocals and instruments that will build into a warm and engaging experience of songs and lyrics that call out passionately to God.

Rolling from that into "Fiery Love", Sam takes the intensity up ever so slightly, building the anticipation nicely from the intro song into this prayer language song, which calls out:

Lift me from my grave and hold me up
With hands that hold the stars, with fiery love
Holy Spirit come, and light me up
With hands that hold the stars, with fiery love

The song rises to a powerful thundering of passion before receding into track three, "O My Soul". Here, Lane ebbs this project back to a rumbling and humble surrender of worship, with dynamics and rhythms that perfectly fit the song lyrics. And this peeks engagingly into big refrains of "Oh my soul, praise, praise Him!" Wonderful!

And so it goes with this album-- ebb, flow, rise, refrain, response, recede and restart the progression. This is not a formula, it seems, for Samuel Lane. It feels more like a discourse of authentic prayers, each one drawing closer to the person of God and surrendering more deeply the person of the worshiper. I have to admit, I was struck by the intimate language and conversational approach that Lane takes on some of these songs. But it is not a nonchalant cavalierism that reduces worship to a "Jesus-is-my-boyfriend" song collection. This is serious, but intimate. God is great, yet He is near. He is the Father which calls and invites us, and Lane has given us real language and theological strength that hold the tension of humanity and its broken, suffering children seeking a holy and mighty God, who deigns to call Himself Father to each of us.

Musically, this project stays tethered to the acoustic foundation that would place Lane in his living room, strumming and picking his guitar. Several songs swell with electric and rhythmic sensibilities and instrumentation. Some songs drift completely into country, even blue-grass/roots sounds complete with banjo and steel string guitars and brushes on the snare drum. But rock is never completely shut out of these tracks. "You Are With Us", "Lead Me Home", and "Glorious" remind us that Vineyard music, both in the US and abroad, has its origins in the rock generation of the 60s, 70's and 80's, whose anthemic soaring progressions still beat in the musical heart of the modern church.

In a way, this album is the most deeply "Vineyard" project I have heard in a very long time. Certainly, it has nuances of the church movement's musical heritage (along with the modern touch of "Mumford & Sons" splattered occasionally). But more than that, this project harkens back to the days when Vineyard music was the vanguard of intimate prayer language in the global church's worship song repertoire. Lane unlocks something reminiscent of John Wimber in his sensibilities and clarity about how scripture can collide with music. And he revisits the eloquence of rhythm and voice that Scott Underwood brought to the mid-90's through his songs and recordings. But at the core of this album's "Vineyard-esque" traits is the lyrical canvas that Samuel Lane paints on- unafraid of our relationship with God the Father, Holy Spirit and Jesus the Son.

I enjoyed this album immensely. And each listen has only increased my appreciation for Lane and love of these songs. After 4 complete journeys through this album, I can tell you there is a lot here and many more hours to spend. Treasures were spent gathering this album together and there are treasures more to be found for anyone willing to listen completely through this entire journey of intimacy, honesty, prayer, surrender, rhythm and joy. One of the best thematically based albums I have experienced in the last 10 years.

For churches looking for great worship songs, I have two suggestions to start with from this album. First is "Father", the fourth track on this album. It is one of the most arresting lyrical prayers I have heard put to a sonic pallette. Truly engaging and easy to place in the deepest part of your intimate worship sets. Second, is the building and upbeat song "You Are With Us". This song is a rolling celebration of God's immanence and the joy of assurance that comes with being in the very presence of the very God. Really, this is a very good song and deserves a listen by almost every congregation doing modern worship styled songs.

Because of the strong songs, excellent thematic elements and seamless threading of all musical elements from top to bottom, this album gets my endorsement as the latest awarded "Editor's Choice". Don't hesitate to get this project, try it with your church band and use these songs!

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Amazon Link: http://amzn.to/15u2Z9A

worshiping Him!

Review by Kim Gentes

Free Song Download "O My Soul" from Samuel Lane

Many thanks to my friends at Integrity Music / Vineyard Music UK for allowing us to offer this free song download for a limited time.  KG..

There is no substitute for passion. You can create sounds, play music and mimic emotion. But real passion comes through in a way that goes beyond all those. If I had to sum up Daniel Bashta's work on his new project "The Invisible", the word would be- passion.

A breathy pop voice, energetic motion in the arrangements and inventive twists throughout the album brings Bashta's ideas of reaching for the ear of God onto the audio canvas of the ten tracks of this album. Lyrically, Daniel almost completely relies on first person language in his prayer-like songs. Only one song is sung in the third person (the title track) and this is revealing. Bashta's passion for a person-to-Person connection with his Creator bleeds all over the prayers, thanks and declarations in this collection. Even anthems of invitation in which Bashta calls us all to join his call to worship with "we all cry holy" in Behold the Lamb, he returns to first person prayer language :

Yours is the kingdom Yours is the power

Yours is the glory forever and ever

Yours is the kingdom Yours is the power

Yours is the glory forever amen

Many of the songs on the album are inviting for church use.  The arrangements used on most of them build in ascending steps (it almost becomes a predictable pattern on this project), but all are welcoming to local church use, (as with so many high production worship albums today) if not in perhaps simplified form. Some great songs on this album are "I Want It All", "Let Hope In", and "Behold the Lamb". But my absolute favorite was the title track "Praise the Invisible"- its hard not to love the reimagining of the invisible, immortal and incarnate language glorifying the Trinity as Father, Spirit, Son. Great historic language as part of a powerful surrender to the Holy God.

Stylistically, this album scans a wide but enjoyable range- from symphonic swells to acoustic guitar drones to scattered banjo picking to piano driven ballads to hand clapping living rooms of worshipers. But it all feels real, fits the songs and creates focus towards the listener pointing their hearts to heaven. This is a very, very good album, and honestly, it surprised me. I was expecting something eclectic, but did not expect something accessible. 

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Amazon Link: http://amzn.to/14C8bE4

worshiping Him!

Review by Kim Gentes

It's been just over 2 years since Chris Tomlin released the Grammy Winning "And If Our God Is For Us..." album.  And here we are with another new project from Chris Tomlin- "Burning Lights". Beginning as a spectacular album, "Burning Lights" has several sparkling new songs, but also has a few "average" tracks as well.

The first 5 songs are not only great songwriting anthems, but are presented in musical vibrancy that tops any work Tomlin has done in the past. The arrangements, style and rhythms found here are smart and successful experiments in broader worlds into which Tomlin has been relatively cautious.

The songs "Awake My Soul" (anthem rock with hip-hop lyric overlays), "Lay Me Down" (rock touched with a bit of Lumineers/Mumford and Sons) and "God's Great Dance Floor" (pop-dance worship that actually doesn't sound cheesy) are almost ecstatic in their energy and vibrancy- all while staying on task of being songs the church will want to sing in the style of modern liturgy. My nod for best song on this album, both lyrically and as a church anthem, is "Whom Shall I Fear (God of Angel Armies)". This song has all the excitement of the other top tracks on the album with its dynamics and guitar hooks, but it also possesses the most singable melodies and lyrics on the project, all wrapped into a glorious rock worship anthem.

After the song "White Flag", the songs empty out to simple worship ballad arrangements.  Kari Jobe duets with Tomlin on the hymn "Crown Him", and this works not only as a listening experience but as a worshipful arrangement of this classic hymn- with a new custom Tomlin chorus, of course. The next several songs continue to strip back the instruments in ebb/flow arrangements throughout. Some may conclude that these last five songs are the slower ballads that are left more barren to allow churches to adopt them as is. But I would contend that these melodies and music are simply not as compelling on the last five songs as the first six songs on this project. The lack of arranging on the final songs simply excentuates those properties.

Be that as it may, this album has many excellent songs. You will find several to be of interest to contemporary churches who already like Chris Tomlin songs and style. Musically and creatively, "Burning Lights" is Tomlin's best album to date, eclipsing even his debut "Arriving" in creativity. Again, do not miss "Whom Shall I Fear (God of Angel Armies)"- it is the best contribution on this project!

For churches using WorshipTeam.com, the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Amazon Link: http://amzn.to/14jCcIE

Review by Kim Gentes

As is my practice lately, before listening the album, I grabbed my guitar, capo and pick. I went into my office, turned on my computer, and logged into Worshipteam.com. I found most of the album with chord charts, lyrics and audio. I went through the album in real-time, with the charts in front of me, playing along. After playing through 7 songs, I was worshiping along, loving the music and in the thankful mood of Christmas- glorifying God for the gift of His Son!

After learning (and loving) about half a dozen songs (and arrangements) from the album, I then put down my guitar. Leaned back and closed my eyes as I listened and worshiped along with the album. And what a joy it was!

The project starts in a bubbling cadence with the Christmas favorite "O Come Let Us Adore Him". I have always loved this song, as it represents a wonderful merge of Christmas themes and worshipful surrender language for the part of the celebrant. Next comes a banjo framed revision of "Joy To The World". The song itself is very simply arranged and clearly sung, with the banjo plucking and choral vocal meanderings edging the main sections of the song. Beautiful!

The third track is a new Christmas original from Hillsong Music. Again, the sound of percussive rhythms and banjo plucking shows how extensive the influences of recent bluegrass, roots (a la Mumford & Sons) sounds have penetrated into the modern worship writing/recording. "Born Is the King" is a celebration of joy that everyone can stomp their feet and lift their heart in thanks to God for His gracious gift!

Track five shares an extended and appropriately clear rendition of  "O Holy Night". Stripped away to its perfect balance of emptiness (in the beginning) to full aria (near the ending sections), Hillsong musicians and vocalists don't try to reinterpret this sacred worship song of the season, but simply sing it to it's joyful fullness. Excellent!

The title track, "We Have A Savior" (of course, in Australia, it is "We Have A Saviour") is an ebb and flow 6/8 call to worship song. It is as infectious as it is haunting. Wonderfully thoughtful music that holds the structure for these glistening lyrics and more:

A child has been given

The King of our freedom

Sing for the light has come

this is Christmas

Each of the songs on this Christmas worship collection are wrought with attention to their acoustical and lyrical beauty. I loved every sweet line, even the unchanged renditions of ancient favorites are beautifully done.  One especially unique song was the very rustic rendition of "God Rest Ye Merry Gentlemen"- in which case the rustic is referring to banjos, clap percussion, tamborines and violins. 

My favorite song here was the magnificent "Gloria (Angels We Have Heard On High)", not only because it retains the undaunting power of its original form, but is not overproduced into an unaccessible peice for local worship teams. This is a fine line and Hillsong perfects the balance nicely.

If you are a local church looking for worshipful songs and arrangements that will definitely work for Christmas- "We Have A Savior" has literally a dozen songs you should listen to. Every track on this album is worthy of the Christmas season! As a worship leader, I played along with the entire album (guitar, capo and pick in hand) and had no trouble with the complexity or arrangements! There were few songs that definitely were written for female lead vocals, but nothing could be more appropriate for a nice mixture in your Christmas worship selections.

For churches using WorshipTeam.com, most the songs, chord charts and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Amazon Link: http://amzn.to/Vl3V55

Review by Kim Gentes