Kim Gentes

[Free Song Download "God Is Here" from Darlene Zschech- see at the bottom of the review.]

 We all know the song "Shout to the Lord". We all know that Darlene Zschech was its author and that she was the well-known face and voice of Hillsong Australia worship leadership for two decades.  After hearing she would be putting out a new live worship album, I was interested to hear it. Later, I heard Israel Houghton would be producing and I knew it would be a stellar musical experience. Well, I finally listened to the album. WOW!

Houghton's production and Zschech's voice would be enough for a great musical experience, but that is just the beginning here! In addition to combing the talents of these two musical Grammy winners, this album contains great songwriting/co-writing efforts, great guest vocals and the entire project is wrapped up in Darlene's genuine gifting as a worship leader. I went through this album several times. At first, I was just listening for great songs. But you can't listen long to this project before you are pulled (or hurled may be a better metaphor) into all out praise, celebration and worship.

Right from the first track, Darlene jumps into her trademark declarative, yet worshipful posture as one who is heralding an entire congregation to lift Jesus high and to acknowledge that "God Is Here". I was expecting to have to dig into the album before hitting the deep groove and great choruses, but no way! "God Is Here" is infectious and courageous-- a kind of call-to-worship song that is destined to be one of the new songs the global church will sing. Unashamed and anthemic, this song isn't fluffy proclamation, but is a powerful reflection of the Lord's prayer put into emphatic song calling on the Holy Spirit to open the gates of heaven, bring His Kingdom and His glory. The bridge is a powerful compliment to the verse/chorus prayer and answer pairing- it humbly ascents the powerful truth echoed by every creature or human to encounter the unshielded presence of the Living God as they sing "Holy, we cry holy. Hallelujah God is here!". Really, folks, this is a truly great song. A wonderful co-write by Darlene, Israel and Phil Wickham. Check this one out! You won't be disappointed!

Track 2, "Best For Me", is a rocket ship that takes off from the launch pad that "God Is Here" ends with! Israel and Meleasa Houghton write this driving song of worship, surrender and testimony and it is has all the energy you'd expect from an upbeat song from Israel. Moving into "All That We Are", another Israel co-written song with more "oohs" and lots of pop, driving bass and infectious melodies. Like many songs on this album, there is a great pop-choral backdrop to these vocals, often singing "ooohs" but doing great BGVs on all the songs is a list of stellar voices - and they sound amazing on this album.

Track 4, "In Jesus' Name", is the fourth upbeat song in the upfront section of this project and it doesn't let up the great music and melodies. Another great song from Darlene and Israel. What is most powerful about this song, though, is Darlene's amazingly personal and poignant interjection at around 5:30 in this track. Vamping down temporarily into the song bridge, she starts speaking about letting the words and scripture sink in deep to the hearts of people, letting them become prayers. And she does just that, she encourages people to let the words be sung over them. It is an unnerving song to listen to at this point. Darlene does with this song something more than affect, but tugs at the eternal longing in all of us for the consummation of God's kingdom in fullness, in a way that is reminiscent of what CS Lewis spoke about in The Weight of Glory

"In speaking of this desire...I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both."1

With this song, Darlene opens up the listener to this kind of surrender and opportunity to connect and understand the nearness of God and His desire for His people. As someone who has been touched by the pain of cancer in the lives of people I love, this song made me come to tears as I prayed for family and friends who are suffering from physical sickness and pain. I found this song to be a sound track for such prayer, asking for God's healing and calling on him for resolution of His kingdom to defeat such pain in our lives.

With the fifth track, the album takes an steep and intentional decrescendo from tempo and volume only, not from excellence. "Your Presence is Heaven To Me" is one of my favorite songs on this project. After the first four songs, you are ready for something "down", and this song is just as endearing, in its own way, as the others that have come before. Like many of the other tracks, Israel's voice takes temporary lead on a phrase and stanza here and there, making this seem much less of a "solo" project than the title of the album might imply. This song is another Israel Houghton songwriting effort along with Micah Massey. The music and lyrics are perfectly matched, as they sing plaintiff surrender in the verse into anthemic thanks in the chorus :

Nothing in this world can satisfy
'Cause Jesus You're the cup that won't run dry
Oh Jesus You're the cup that won't run dry

Oh Jesus Your presence is heaven to me
Oh Jesus Your presence is heaven to me

"Victor's Crown" is the next track and becomes the biggest anthem on this album. Starting softly, it builds into gigantic declaration of sound and lyrics that ascends to pray in mid song that anything that comes against Christ will be brought down in light of seeing Christ receive his victor's crown. This song adds a huge drum part, a gorgeous strings section and emphatic bridge declaring "You will overcome" to Christ. Very good!

After listening through half the album, you might be tempted to believe that the good songs are all done. You'd be wrong! This project contains an unbelievably well arranged, played and integrated set of songs that are comprised of an older Hillsong repertoire song (Magnificent, track 8), a rearranged hymn (My Jesus, I Love Thee, track 9), an excellent modern chorus (Your Name/P.Baloche, track 10), a deep worship song (I Am Yours/MW Smith, track 11) and a great closing song (Jesus At The Center/Houghton, track 12). If you have the special CD/DVD limited version of this it also includes versions of "Shout to the Lord" and "Agnus Dei"!

I would have to write pages more to completely explain this album. Instead, I can just give this recommendation. Go now. Get it. Really. I thought I had already heard some great albums this year, but this one is simply on another level in both musical production and a complete worship experience. This album easily gets my nod as "Editor's Choice Album" and is currently my top candidate for this years best album. I can't imagine anything beating it out, but it is still early in the year. But don't take my word for it- go listen to the audio samples online.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio from this album are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

 
Additionally, our friends at Integrity Music have also granted us permission to give you access to the audio and chord chart for the song "God Is Here" as a free download for a limited time directly here, so you will find it below.

Go check out this album folks. I am not kidding. It's ballistic.

Worshiping God!

Kim Gentes

Free Song Download "God Is Here" from the latest Darlene Zschech album "Revealing Jesus"

1. Lewis, C. S. (2009-06-03). Weight of Glory (Collected Letters of C.S. Lewi) (Kindle Locations 298-302). HarperCollins. Kindle Edition. 

Glenn Packiam's new solo album "The Mystery of Faith" is the newest project from this songwriter/pastor from New Life Church in Colorado Springs. In a surprising and encouraging departure from past recordings, this album ventures at speaking the central truths of the Christian faith, usable by all Christian churches whether modern or liturgical. In fact, this album presents a modern worship liturgy that can be used as a guide for an entire service or applied in portions, using songs that fit for the kind of themes and services you may planning for.

This is a studio worship album featuring several new songs based, created and presented as a fresh expression of the historic liturgical service! In addition to 8 songs, there are two readings (the Nicene Creed and Prayer of Confession) with musical backdrops for easily adoption into your services. This concept project has value both as a collection of great songs and as a complete service that brings the message of our faith through the progression of these songs. Glenn co-writes with Ian Eskelin, Ian Morgan Cron, Jennie Lee Riddle, and others to craft these beautiful and usable songs.

Walking through each track song by song does not convey the mode of use of these songs. One must experience these songs as a collection and participate as a worshiper, being shaped by the songs as they provide the movement of the central components of worship that have been used in churches for hundreds of years. The proclamation of faith, the creed, the prayer of confession, the blessings to one another, declaration of the risen Christ, the Alleluia - each of these elements are poignant and engaging.

Something must be said about the significance of this project as a gift to the broader church. Many worship writers, leaders and artists claim that they are writing new songs for "the church", but few have gone to the trouble of writing songs for usable application in the framework used by over 50% of the global church- the liturgy. Glenn has sculpted these songs as useful tools to the whole body of Christ. This is a blessing and a joy. And even if your church does not use a liturgical format, there are some excellent songs here for use in modern worship sets.

Again, while this album is meant as a liturgically guided worship service, I found some single songs that I would like to highlight for any worshiping church. First is the song "Our Messiah Reigns". This is the last track on the album, but it is an excellent song for both weekly celebration of the Risen Christ and for the upcoming Easter season. Another strong song is "Grace Flows Freely Down", a joyous song about the power of God's grace. Finally, the song "The Lord Be With You" is an inviting song in which the Body can give thanks together while speaking God's blessing to one another.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio from this album are already available and pre-loaded for you in the WorshipTeam.com system song database.

If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Woah! Worship music redefined? With the last 10 years, what has been defined as a "worship album" has become a moving target. Well friends, the target has just moved again. Hillsong United's "Zion" departs from the stadium anthems and deep grooved choruses of their previous albums and the standard mix of the 4/5 piece "praise band" is traded in for electronics, pop-production ballads and an "Owl City"-esque layering of arrangements. Even the vocals are pulled back to set the songs into an artistic place never before seen on any Hillsong (United or otherwise) project. Experimental electronica, orchestral pad swells, breathy solo vocals, deep reverb and loop-timed guitar arpeggios all make this recording seem an almost surreal departure for Hillsong United. 

I found this a very unique album to get used to. Because it is much more of an initial listening experience than a typical "worship album", you might be tempted to start listening for "usable songs"- but taking that approach won't work, at least not initially. What you must do with this album is listen to it 4 or 5 times first- just sit. Listen. After the songs go through your head and heart enough times, you will find yourself really loving this project. Then, you are ready. Listen through it again for what might be songs that could fit and work in your local context. There will be some, perhaps several. But take the time.

So much of this album sounds like something new, literally every track is worth a listen. The album starts like a euro-pop 80's hit radio barrage with front track "Relentless" leading into a beat driven chorus of

Your love is relentless
Your love is relentless

Track two, "Up In Arms" beckons to more European sounds with whistles and pipes bubbling over drum cadence, and while gradually flowing into full refrains it infectiously implants the melody in your head long before the song ends (that is despite this song's vague, aimless and scattered lyrical themes). "Scandal of Grace" is a 6/8 departure with acoustic guitar only intro on a parched dry vocal- but once again, this builds eventually into an "all in" chorus.

When I hit "Oceans" I found myself weeping in surrendered prayer along with the song, as Taya Smith sang against a backdrop of stripped down pads and electronic drums. With a Leigh Nash-esque style, her vocals lilt and soar to make this song a poweful ocean of experience and prayer. Really, really good.

And so this album goes.. ranging from songs that sound like 80's euro-pop to modern day acoustic, unplugged. Stops made along the way will range across sounds like more organic bands such as "City Harmonic" and "Rend Collective Experiment" to electronica "Owl City".  And while there is a definite thread of electronica loops and tones that sow this album together, its clear that the Hillsong United crew was looking to step completely out of the "worship rock" world their youth concerts are known for. Even the end of the album keeps throwing twists your way- from the stripped back piano ballad of "King of Heaven", the John Mark McMillan styled "Arise", to the overdriven bass on "Mountain" that leads into a few big choruses.

For myself, my three favorite tracks on this project are "Oceans", "Scandal of Grace" (both previously mentioned) and "A Million Suns" (track 10), whose strange 70's cheesy organ sound blithely tags the song sections into a surprisingly well scripted lyrical adoration of

Jesus the First, the Last,
the Bright and Morning Star

In sum, this album is a brilliant musical exploration of what worship groups and songwriters can do when the "limitations" are taken off. There is much to like here and, excepting the directionless lyrical approach of "Up In Arms", the rest of the album not only scores strongly on musical vibrancy and enjoyment, but lands some solid songs that (perhaps re-arranged) could find their way into youth groups and Sunday morning worship services.  You must listen to this album. It is truly unique and truly a gift.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Today I had the opportunity to listen completely through the new album "Deeper" by Christine D'Clario. It was a real delight! D'Clario is joined on a few tracks by worship leader/songwriters Anthony Skinner and Leslie Jordan to put voice to these 10 excellent worship songs. But the majority of the project is led simply by Christine herself. D'Clario co-writes on half of the songs on this project and uses standout compositions from others such as label-mates Daniel Bashta, Richie Fike, and others like Paul Mabury (One Sonic Society), Israel Houghton and many others.

The album ranges from radio pop to piano ballads to modern revisit of a classic hymn. There is a deep and grounded sense of presence to D'Clario's singing of these songs. She sounds so comfortable with the music, with the lyrics, that one takes away a sense that these songs are personal reality for her- that these songs are not just "favorites" she is singing for Sunday morning "airplay", but she genuinely believes them and embraces them as her story. These songs are a listening joy and carry something of a spiritual peace as you join in with them. 

Perhaps it is the steady, but subdued pacing of the songs and the arrangements, but this album is powerful, spiritual and deeply worshipful. Rather than forcing some theme or topic with over-arranged music and thunderous, complex instrumental assaults, D'Clario's voice is the focus here. Producer Paul Mabury scopes this project well, holding in the electric guitars, keeping the programming and rhythm compact and well-paced, and returning to the simplicity of piano and simple beats to frame the worshipful arias of D'Clario's sincere expressions.

One could sit down to listen to this album and not get back up for hours. It is captivating especially in its pensive, worshipful moments. Favorite songs for me were ballads Magnified (track 2), Pursuit (track 3), and Faithfulness (track 5). Strangely enough, I would venture to guess that "Arise" (track 7) will be a favorite for almost any church looking for an upbeat declaration song, with its pop-beat, infectious chorus and contrast to the rest of the album. But I warn those who think they will just skim over this project by listening to a few songs- you are more likely to find yourself awash in the peaceful sounds of D'Clario's sublime ballads and settled into your chair in worship for an hour or more. And a good number of us could very well use that kind of interruption in our frantic and busy world. This is a very strong album with good songs, well-produced tracks and an enthralling voice of a worshiper anchoring it all.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

[Free Song Download "O My Soul" from Samuel Lane- see at the bottom of the review.]

With subtle motion and smooth tones begins the "The Fire". Like the starting crackle of a freshly lit hearth, this is how Samuel Lane begins to fuel the fire that is this new album from Vineyard Records UK. The intro song, "Take Me With You", doesn't rip a hole out of your speakers. Rather than pouring gasoline onto a bursting bonfire, it sparks, rumbles and gently ignites the rhythms, vocals and instruments that will build into a warm and engaging experience of songs and lyrics that call out passionately to God.

Rolling from that into "Fiery Love", Sam takes the intensity up ever so slightly, building the anticipation nicely from the intro song into this prayer language song, which calls out:

Lift me from my grave and hold me up
With hands that hold the stars, with fiery love
Holy Spirit come, and light me up
With hands that hold the stars, with fiery love

The song rises to a powerful thundering of passion before receding into track three, "O My Soul". Here, Lane ebbs this project back to a rumbling and humble surrender of worship, with dynamics and rhythms that perfectly fit the song lyrics. And this peeks engagingly into big refrains of "Oh my soul, praise, praise Him!" Wonderful!

And so it goes with this album-- ebb, flow, rise, refrain, response, recede and restart the progression. This is not a formula, it seems, for Samuel Lane. It feels more like a discourse of authentic prayers, each one drawing closer to the person of God and surrendering more deeply the person of the worshiper. I have to admit, I was struck by the intimate language and conversational approach that Lane takes on some of these songs. But it is not a nonchalant cavalierism that reduces worship to a "Jesus-is-my-boyfriend" song collection. This is serious, but intimate. God is great, yet He is near. He is the Father which calls and invites us, and Lane has given us real language and theological strength that hold the tension of humanity and its broken, suffering children seeking a holy and mighty God, who deigns to call Himself Father to each of us.

Musically, this project stays tethered to the acoustic foundation that would place Lane in his living room, strumming and picking his guitar. Several songs swell with electric and rhythmic sensibilities and instrumentation. Some songs drift completely into country, even blue-grass/roots sounds complete with banjo and steel string guitars and brushes on the snare drum. But rock is never completely shut out of these tracks. "You Are With Us", "Lead Me Home", and "Glorious" remind us that Vineyard music, both in the US and abroad, has its origins in the rock generation of the 60s, 70's and 80's, whose anthemic soaring progressions still beat in the musical heart of the modern church.

In a way, this album is the most deeply "Vineyard" project I have heard in a very long time. Certainly, it has nuances of the church movement's musical heritage (along with the modern touch of "Mumford & Sons" splattered occasionally). But more than that, this project harkens back to the days when Vineyard music was the vanguard of intimate prayer language in the global church's worship song repertoire. Lane unlocks something reminiscent of John Wimber in his sensibilities and clarity about how scripture can collide with music. And he revisits the eloquence of rhythm and voice that Scott Underwood brought to the mid-90's through his songs and recordings. But at the core of this album's "Vineyard-esque" traits is the lyrical canvas that Samuel Lane paints on- unafraid of our relationship with God the Father, Holy Spirit and Jesus the Son.

I enjoyed this album immensely. And each listen has only increased my appreciation for Lane and love of these songs. After 4 complete journeys through this album, I can tell you there is a lot here and many more hours to spend. Treasures were spent gathering this album together and there are treasures more to be found for anyone willing to listen completely through this entire journey of intimacy, honesty, prayer, surrender, rhythm and joy. One of the best thematically based albums I have experienced in the last 10 years.

For churches looking for great worship songs, I have two suggestions to start with from this album. First is "Father", the fourth track on this album. It is one of the most arresting lyrical prayers I have heard put to a sonic pallette. Truly engaging and easy to place in the deepest part of your intimate worship sets. Second, is the building and upbeat song "You Are With Us". This song is a rolling celebration of God's immanence and the joy of assurance that comes with being in the very presence of the very God. Really, this is a very good song and deserves a listen by almost every congregation doing modern worship styled songs.

Because of the strong songs, excellent thematic elements and seamless threading of all musical elements from top to bottom, this album gets my endorsement as the latest awarded "Editor's Choice". Don't hesitate to get this project, try it with your church band and use these songs!

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Amazon Link: http://amzn.to/15u2Z9A

worshiping Him!

Review by Kim Gentes

Free Song Download "O My Soul" from Samuel Lane

Many thanks to my friends at Integrity Music / Vineyard Music UK for allowing us to offer this free song download for a limited time.  KG..