Kim Gentes

It is no hyperbole to say that Jesus Culture and Kim Walker-Smith have become a powerful new voice in the sound of worship to the new generation and the "modern" church's musical liturgy. So, when I heard that Kim was going to be releasing a solo album, I was interested. Even though I often have the opportunity to get "free" product to evaluate popular worship resources/CDs, I almost always end up buying my own copies of things, because like many of you, I want to know if I feel like the money I spent was worth it. I am delighted to say that Kim's new album, "Still Believe", comes in very strong. It's not only worth the money, its worth your attention.

Having heard the previous Jesus Culture albums, I knew that her passionate vocals were her signature. My assumption was that it would be those impassioned vocals that would take over a solo album as well. I was right. And wrong. Yes, her vocals, with all their presence and passion rip through these songs with both peace and power- fitting them with the proper aspect as the song demanded.  But also, no, in that Kim moves from just being a great voice to being a promising songwriter. On "Still Believe", Kim steps in with a surprising ability to write and present songs that are fresh, inviting and actually thoughtful.

The album kicks off with "Alive", a note pounding declaration that resounds with

"We will make Him known, Jesus is alive. He's alive!
We will shout it out, Jesus is alive! He's alive!"

The first track, written by Gabe Kossol and Jeremy Edwardson, comes across very strong, intentional and engaging. This is a great launch pad for the album. Praising God and declaring the resurrection truth is focused and yet celebratory. I love it!

The next song is written by Chris McClarney (author of "Your Love Never Fails") and others. "Waste It All" has quickly become one of my favorite "surrender" songs. Lyrically, it is a musical interpretation of Matthew 26:6-13 (woman pouring perfume on Jesus) in the first person. Every time the chorus rings out I find myself surrendering once again.

Track three continues the very hopeful, God-ward and personal language of all the songs in this album. "The King is Here" is new song written by Kim and Christa Black, this one exclaiming that God is here among us, He is present and we can rely on His being present and rejoice in that same reality. As much a song of faith as praise, this song takes our attention clearly from the far off God who watches us to the very present King who is in our midst. Again, focused, clear and powerfully delivered. Love it!

"Yield My Heart" settles back into a gentle brushes/cadence and Kim Walker-Smith opens up in first person language confessing, "I yield my heart to You."  Again, coupling surrender and declaration, this song feels like a simple prayer, straight out of the ethos and language of the Davidic Psalms. And this is what endears you to this album- her intense focus on Christ, clearly at the expense of exposing her own vulnerability as she unrelentingly sings out these songs.

Tracks 5 and 6 are a live version of the Tim Hughes (et al) song "Spirit Break Out" and a spontaneous tag that extends out through an entire track. To be sure, almost every song on this album has a tag and impromptu segment that takes each song to a personal and "uncorked" expression from this worship leader to God, with all of us carried along in the tow of real worship. This song is a very well written re-examination of the Lord's Prayer (Matthew 6) that links that prayer to the release of the Holy Spirit across mankind and history. A beautiful prayer and offering. Walker-Smith doesn't leave the song to the text given by the songwriters. She expands on it with her own passion, ad libs and unguarded confessions of need to be overflowing with the presence of Christ, His love and His character.

The title track "Still Believe" carves a beautiful melodic understanding of the atonement found in Christ's blood and the sufficiency it establishes for all those who believe. Maybe one of the most focused songs on the blood of Christ that I have come across. Without compromise, Kim declares that the blood of Christ is the center of what grace and provision is available for all Christians. Again, I am very impressed with the focus and articulation that this young writer has by keeping the text to one topic on any given song. A song well worth listening to for anyone looking for great new songs in your local church.

The next track is a cover of Martin Smith & Stu Garrard's "Miracle Maker", done with both lilt and power. Not a song that is easily done in most churches, but a gorgeously presented declaration of the Revelation text that appears in chapter 1 and 4 "who was and is and is to come". The final song (called "Healing Oil" by Chris Lizotte) is a jubilation of thankfulness that launches Kim Walker-Smith into an overture of refrains. She is singing out, at the top of her lungs, declaring that she wouldn't trade another lifetime for the reality of God's presence being there, right now.

And that highlights precisely why I LOVE this album. Kim Walker-Smith refuses to be afraid of singing songs that are either well articulated theology ("Still Believe" and "Alive") or "in the moment" passion ("Waste It All" and "Healing Oil"). It is that edge of unguarded evocation that makes the album feel like a breath of fresh wind on the landscape of "prescribed" worship music productions which are often addled by so much musical and theological care they leave true passion off the recording.  This needn't be so. And Kim Walker-Smith proves it.

I loved this album. You will too. Really.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Woah! Worship music redefined? With the last 10 years, what has been defined as a "worship album" has become a moving target. Well friends, the target has just moved again. Hillsong United's "Zion" departs from the stadium anthems and deep grooved choruses of their previous albums and the standard mix of the 4/5 piece "praise band" is traded in for electronics, pop-production ballads and an "Owl City"-esque layering of arrangements. Even the vocals are pulled back to set the songs into an artistic place never before seen on any Hillsong (United or otherwise) project. Experimental electronica, orchestral pad swells, breathy solo vocals, deep reverb and loop-timed guitar arpeggios all make this recording seem an almost surreal departure for Hillsong United. 

I found this a very unique album to get used to. Because it is much more of an initial listening experience than a typical "worship album", you might be tempted to start listening for "usable songs"- but taking that approach won't work, at least not initially. What you must do with this album is listen to it 4 or 5 times first- just sit. Listen. After the songs go through your head and heart enough times, you will find yourself really loving this project. Then, you are ready. Listen through it again for what might be songs that could fit and work in your local context. There will be some, perhaps several. But take the time.

So much of this album sounds like something new, literally every track is worth a listen. The album starts like a euro-pop 80's hit radio barrage with front track "Relentless" leading into a beat driven chorus of

Your love is relentless
Your love is relentless

Track two, "Up In Arms" beckons to more European sounds with whistles and pipes bubbling over drum cadence, and while gradually flowing into full refrains it infectiously implants the melody in your head long before the song ends (that is despite this song's vague, aimless and scattered lyrical themes). "Scandal of Grace" is a 6/8 departure with acoustic guitar only intro on a parched dry vocal- but once again, this builds eventually into an "all in" chorus.

When I hit "Oceans" I found myself weeping in surrendered prayer along with the song, as Taya Smith sang against a backdrop of stripped down pads and electronic drums. With a Leigh Nash-esque style, her vocals lilt and soar to make this song a poweful ocean of experience and prayer. Really, really good.

And so this album goes.. ranging from songs that sound like 80's euro-pop to modern day acoustic, unplugged. Stops made along the way will range across sounds like more organic bands such as "City Harmonic" and "Rend Collective Experiment" to electronica "Owl City".  And while there is a definite thread of electronica loops and tones that sow this album together, its clear that the Hillsong United crew was looking to step completely out of the "worship rock" world their youth concerts are known for. Even the end of the album keeps throwing twists your way- from the stripped back piano ballad of "King of Heaven", the John Mark McMillan styled "Arise", to the overdriven bass on "Mountain" that leads into a few big choruses.

For myself, my three favorite tracks on this project are "Oceans", "Scandal of Grace" (both previously mentioned) and "A Million Suns" (track 10), whose strange 70's cheesy organ sound blithely tags the song sections into a surprisingly well scripted lyrical adoration of

Jesus the First, the Last,
the Bright and Morning Star

In sum, this album is a brilliant musical exploration of what worship groups and songwriters can do when the "limitations" are taken off. There is much to like here and, excepting the directionless lyrical approach of "Up In Arms", the rest of the album not only scores strongly on musical vibrancy and enjoyment, but lands some solid songs that (perhaps re-arranged) could find their way into youth groups and Sunday morning worship services.  You must listen to this album. It is truly unique and truly a gift.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Today I had the opportunity to listen completely through the new album "Deeper" by Christine D'Clario. It was a real delight! D'Clario is joined on a few tracks by worship leader/songwriters Anthony Skinner and Leslie Jordan to put voice to these 10 excellent worship songs. But the majority of the project is led simply by Christine herself. D'Clario co-writes on half of the songs on this project and uses standout compositions from others such as label-mates Daniel Bashta, Richie Fike, and others like Paul Mabury (One Sonic Society), Israel Houghton and many others.

The album ranges from radio pop to piano ballads to modern revisit of a classic hymn. There is a deep and grounded sense of presence to D'Clario's singing of these songs. She sounds so comfortable with the music, with the lyrics, that one takes away a sense that these songs are personal reality for her- that these songs are not just "favorites" she is singing for Sunday morning "airplay", but she genuinely believes them and embraces them as her story. These songs are a listening joy and carry something of a spiritual peace as you join in with them. 

Perhaps it is the steady, but subdued pacing of the songs and the arrangements, but this album is powerful, spiritual and deeply worshipful. Rather than forcing some theme or topic with over-arranged music and thunderous, complex instrumental assaults, D'Clario's voice is the focus here. Producer Paul Mabury scopes this project well, holding in the electric guitars, keeping the programming and rhythm compact and well-paced, and returning to the simplicity of piano and simple beats to frame the worshipful arias of D'Clario's sincere expressions.

One could sit down to listen to this album and not get back up for hours. It is captivating especially in its pensive, worshipful moments. Favorite songs for me were ballads Magnified (track 2), Pursuit (track 3), and Faithfulness (track 5). Strangely enough, I would venture to guess that "Arise" (track 7) will be a favorite for almost any church looking for an upbeat declaration song, with its pop-beat, infectious chorus and contrast to the rest of the album. But I warn those who think they will just skim over this project by listening to a few songs- you are more likely to find yourself awash in the peaceful sounds of D'Clario's sublime ballads and settled into your chair in worship for an hour or more. And a good number of us could very well use that kind of interruption in our frantic and busy world. This is a very strong album with good songs, well-produced tracks and an enthralling voice of a worshiper anchoring it all.

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

[Free Song Download "O My Soul" from Samuel Lane- see at the bottom of the review.]

With subtle motion and smooth tones begins the "The Fire". Like the starting crackle of a freshly lit hearth, this is how Samuel Lane begins to fuel the fire that is this new album from Vineyard Records UK. The intro song, "Take Me With You", doesn't rip a hole out of your speakers. Rather than pouring gasoline onto a bursting bonfire, it sparks, rumbles and gently ignites the rhythms, vocals and instruments that will build into a warm and engaging experience of songs and lyrics that call out passionately to God.

Rolling from that into "Fiery Love", Sam takes the intensity up ever so slightly, building the anticipation nicely from the intro song into this prayer language song, which calls out:

Lift me from my grave and hold me up
With hands that hold the stars, with fiery love
Holy Spirit come, and light me up
With hands that hold the stars, with fiery love

The song rises to a powerful thundering of passion before receding into track three, "O My Soul". Here, Lane ebbs this project back to a rumbling and humble surrender of worship, with dynamics and rhythms that perfectly fit the song lyrics. And this peeks engagingly into big refrains of "Oh my soul, praise, praise Him!" Wonderful!

And so it goes with this album-- ebb, flow, rise, refrain, response, recede and restart the progression. This is not a formula, it seems, for Samuel Lane. It feels more like a discourse of authentic prayers, each one drawing closer to the person of God and surrendering more deeply the person of the worshiper. I have to admit, I was struck by the intimate language and conversational approach that Lane takes on some of these songs. But it is not a nonchalant cavalierism that reduces worship to a "Jesus-is-my-boyfriend" song collection. This is serious, but intimate. God is great, yet He is near. He is the Father which calls and invites us, and Lane has given us real language and theological strength that hold the tension of humanity and its broken, suffering children seeking a holy and mighty God, who deigns to call Himself Father to each of us.

Musically, this project stays tethered to the acoustic foundation that would place Lane in his living room, strumming and picking his guitar. Several songs swell with electric and rhythmic sensibilities and instrumentation. Some songs drift completely into country, even blue-grass/roots sounds complete with banjo and steel string guitars and brushes on the snare drum. But rock is never completely shut out of these tracks. "You Are With Us", "Lead Me Home", and "Glorious" remind us that Vineyard music, both in the US and abroad, has its origins in the rock generation of the 60s, 70's and 80's, whose anthemic soaring progressions still beat in the musical heart of the modern church.

In a way, this album is the most deeply "Vineyard" project I have heard in a very long time. Certainly, it has nuances of the church movement's musical heritage (along with the modern touch of "Mumford & Sons" splattered occasionally). But more than that, this project harkens back to the days when Vineyard music was the vanguard of intimate prayer language in the global church's worship song repertoire. Lane unlocks something reminiscent of John Wimber in his sensibilities and clarity about how scripture can collide with music. And he revisits the eloquence of rhythm and voice that Scott Underwood brought to the mid-90's through his songs and recordings. But at the core of this album's "Vineyard-esque" traits is the lyrical canvas that Samuel Lane paints on- unafraid of our relationship with God the Father, Holy Spirit and Jesus the Son.

I enjoyed this album immensely. And each listen has only increased my appreciation for Lane and love of these songs. After 4 complete journeys through this album, I can tell you there is a lot here and many more hours to spend. Treasures were spent gathering this album together and there are treasures more to be found for anyone willing to listen completely through this entire journey of intimacy, honesty, prayer, surrender, rhythm and joy. One of the best thematically based albums I have experienced in the last 10 years.

For churches looking for great worship songs, I have two suggestions to start with from this album. First is "Father", the fourth track on this album. It is one of the most arresting lyrical prayers I have heard put to a sonic pallette. Truly engaging and easy to place in the deepest part of your intimate worship sets. Second, is the building and upbeat song "You Are With Us". This song is a rolling celebration of God's immanence and the joy of assurance that comes with being in the very presence of the very God. Really, this is a very good song and deserves a listen by almost every congregation doing modern worship styled songs.

Because of the strong songs, excellent thematic elements and seamless threading of all musical elements from top to bottom, this album gets my endorsement as the latest awarded "Editor's Choice". Don't hesitate to get this project, try it with your church band and use these songs!

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Amazon Link: http://amzn.to/15u2Z9A

worshiping Him!

Review by Kim Gentes

Free Song Download "O My Soul" from Samuel Lane

Many thanks to my friends at Integrity Music / Vineyard Music UK for allowing us to offer this free song download for a limited time.  KG..

There is no substitute for passion. You can create sounds, play music and mimic emotion. But real passion comes through in a way that goes beyond all those. If I had to sum up Daniel Bashta's work on his new project "The Invisible", the word would be- passion.

A breathy pop voice, energetic motion in the arrangements and inventive twists throughout the album brings Bashta's ideas of reaching for the ear of God onto the audio canvas of the ten tracks of this album. Lyrically, Daniel almost completely relies on first person language in his prayer-like songs. Only one song is sung in the third person (the title track) and this is revealing. Bashta's passion for a person-to-Person connection with his Creator bleeds all over the prayers, thanks and declarations in this collection. Even anthems of invitation in which Bashta calls us all to join his call to worship with "we all cry holy" in Behold the Lamb, he returns to first person prayer language :

Yours is the kingdom Yours is the power

Yours is the glory forever and ever

Yours is the kingdom Yours is the power

Yours is the glory forever amen

Many of the songs on the album are inviting for church use.  The arrangements used on most of them build in ascending steps (it almost becomes a predictable pattern on this project), but all are welcoming to local church use, (as with so many high production worship albums today) if not in perhaps simplified form. Some great songs on this album are "I Want It All", "Let Hope In", and "Behold the Lamb". But my absolute favorite was the title track "Praise the Invisible"- its hard not to love the reimagining of the invisible, immortal and incarnate language glorifying the Trinity as Father, Spirit, Son. Great historic language as part of a powerful surrender to the Holy God.

Stylistically, this album scans a wide but enjoyable range- from symphonic swells to acoustic guitar drones to scattered banjo picking to piano driven ballads to hand clapping living rooms of worshipers. But it all feels real, fits the songs and creates focus towards the listener pointing their hearts to heaven. This is a very, very good album, and honestly, it surprised me. I was expecting something eclectic, but did not expect something accessible. 

For churches using WorshipTeam.com, all of the songs, chord charts, lyrics and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below.

Amazon Link: http://amzn.to/14C8bE4

worshiping Him!

Review by Kim Gentes