The Virgin Spring (1960)
Friday, December 31, 1999 at 6:01PM
Kim Gentes in A-Movie, Birgitta Pettersson, Ingmar Bergman, Max von Sydow, Movie Review, movie, movie review, oscar winner, swedish, virgin spring

Iconic filmaking. Beautiful tragedy.

Overall Grade: A
Story: A
Acting: A
Direction: A
Visuals: A

 

Summary: An innocent girl is cut down in the prime of her life. The family is left, by fate, to face the evil-doers who perpetrated her demise. Now legendary director Ingmar Bergman creates a screen version of a Swedish tale of tragedy and remorse amidst a deeply religious backdrop.

Full Review: "The Virgin Spring" is one of the classic movies revered by cinephiles and lauded by later directors as a seminal work that helped to send film into new directions.  The topics it tackles and the way in which it tackles them shakes off a lot of societal baggage that allowed movies to begin to ask deep questions, especially related to taboo questions of religion, God, suffering and mortality.  The story is so terse, it's plot is deceptively powerful. There are no detours, no hidden meanings, no multiple plot lines- just one straight narrative that leads the viewer into the private hell of a father and mother and to a crux of expression in their grief.

The movie is in Swedish, and thus (for me, at least) was subtitled in English. But like the 1997 Italian movie "Life Is Beautiful", the script is so matched to the visuals, the faces of the actors and the situations you can almost anticipate the words of the dialog from the context of the emotion displayed. I enjoyed the film because, not only did the dialog remain compact and powerful, but the long pauses of silence pressed into the viewer the kind of mundane world of the story. The scene is medieval Sweden and the characters are the various members of a farming chieftan who's virgin daughter is sent on a day journey to deliver candles to the nearby church parish. An adopted pagan girl (who prays to the Norse god Odin) and the naive Christian princess daughter of the local regent are paired (and thus juxtaposed) in the seemingly simple journey to deliver the candles.

From the tragedy that ensues, the parents later are faced with the terrible news of their daughters death by the very people who committed the crime (who don't know they are revealing this news to the parents of the abducted girl). The plot that follows delivers the emotions of hot and cold power of rage and remorse, leading to a final climatic encounter of not man to man, but man to God. The set up to this story is simple and straight, and the climax is all the more poignant because of it.

Because of the nature of the story, some images of violence are disturbing in the film, although certainly not as graphic as films have become in the last 20 years, its intention and deliver seems more realistic and even horrific.  For parents, in my opinion, this movie should be reserved for children that are 13 and over. There is a brief scene of rape, and death, and while neither show any nudity or gore, both are disturbingly heartbreaking. Since this film was introduced before ratings (and was foreign, in any case- which are also not regulated by the MPAA) the movie as no MPAA rating. 

I won't go into the dozens of technical reasons this film was a forerunner to more modern film tragedies, or lighting and perspective techniques- but again, the cinephiles will already have heard of this. If you like great film-making, and thoughtful, provocative narratives, this film is one of the all-time greats.

 

Amazon DVD Link: http://amzn.to/TnI2nW

 

Review by Kim Gentes


Article originally appeared on Kim Gentes - worship leader and writer (http://www.kimgentes.com/).
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